000 | 02009cam a2200361Ki 4500 | ||
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001 | on1112422338 | ||
003 | OCoLC | ||
005 | 20240726104811.0 | ||
008 | 190914s2019 enk o 000 0 eng d | ||
040 |
_aEBLCP _beng _erda _epn _cEBLCP _dUKAHL _dOCLCQ _dYDXIT _dOCLCF _dUKMGB _dOCLCQ _dYDX _dOCLCQ _dNT |
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015 |
_aGBB9H8389 _2bnb |
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016 | 7 |
_a019507304 _2Uk |
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020 |
_a9781527537965 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aPR9387 _b.V575 2019 |
049 | _aMAIN | ||
100 | 1 |
_aAdeyemi, Sola, _e1 |
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245 | 1 | 0 |
_aVision of change in African drama : _bFémi Òsófisan's dialectical reading of history and politics / _cby Sola Adeyemi. |
260 |
_aNewcastle upon Tyne, UK : _bCambridge Scholars Publishing, _c(c)2019. |
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300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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504 | _a2 | ||
520 | 0 | _aFémi Òsófisan is a major dramatist from Nigeria who experiments with forms and theatrical traditions. This book focuses on his development as a dramatist and his contribution to world drama as a postcolonial African writer whose major preoccupation has been to question the colonial and postcolonial issues of identity in theatre, literature and performance. The volume explores how Òsófisan exploits his Yorùbá heritage in his drama and the performances of his plays by reading new meanings into popular mythology, and by re-writing history to comment on contemporary social and political issues. Òs. | |
530 |
_a2 _ub |
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600 | 1 | 0 |
_aOsofisan, Femi _xCriticism and interpretation. |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2228056&site=eds-live&custid=s3260518 |
942 |
_cOB _D _eEB _hPR.. _m2019 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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_c78764 _d78764 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |