000			03549cam a22004458i 4500
001			on1108781585
003			OCoLC
005			20240726104809.0
008			190606s2020 nyu ob 001 0 eng
010			_a2019023886
040			_aDLC _beng _erda _cDLC _dOCLCO _dOCLCF _dNT _dEBLCP _dRECBK _dMYG _dYDX _dJSTOR
020			_a9780231549387 _q((electronic)l(electronic)ctronic)
042			_apcc
043			_an-us-ny
050	0	0	_aTX950 _b.L436 2020
049			_aMAIN
100	1		_aWilliams, Terry M. _q(Terry Moses), _d1948- _e1
245	1	0	_aLe Boogie Woogie : _binside an after-hours club / _cTerry Williams.
246	3		_aBoogie Woogie
260			_aNew York : _bColumbia University Press, _c(c)2020.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aThe cosmopolitan life
504			_a2
505	0	0	_aPreface -- _tIntroduction -- _tThe setting -- _tThe scene -- _tThe characters -- _tAfter-hours now -- _tConclusion: a culture of refusal -- _tacknowledgments -- _tAppendix 1. Methodological appendix -- _tAppendix 2. Field note samples -- _tAppendix 3. Where are they now? -- _tGlossary of slang at Le Boogie Woogie -- _tGlossary of slang at Murphy's Bar -- _tNotes -- _tBibliography -- _tIndex.
520	0		_a"The 'after-hours club' is a fixture of the African American ghetto. It is a semisecret, unlicensed 'spot' where 'regulars' and 'tourists' mingle with 'hustlers' to buy and use drugs long after regular bars are closed and the party has ended for the 'squares.' After-hours clubs are found in most cities, but for people outside of their particular milieu, they are formidably difficult to identify and even more difficult to access. The sociologist Terry Williams returns to the cocaine culture of Harlem in the 1980s and '90s with an ethnographic account of a club he calls Le Boogie Woogie. He explores the life of a cast of characters that includes regulars and bar workers, dealers and hustlers, following social interaction around the club's active bar, with its colorful staff and owner and the 'sniffers' who patronize it. In so doing, Williams delves into the world of after-hours clubs, exploring their longstanding function in the African American community as neighborhood institutions and places of autonomy for people whom mainstream society grants few spaces of freedom. He contrasts Le Boogie Woogie, which he visited in the 1990s, with a Lower East Side club, dubbed Murphy's Bar, twenty years later to show how 'cool' remains essential to those outside the margins of society even as what it means to be 'cool' changes. Le Boogie Woogie is an exceptional ethnographic portrait of an underground culture and its place within a changing city"-- _cProvided by publisher.
530			_a2 _ub
610	2	0	_aLe Boogie Woogie (Nightclub) _xHistory.
650		0	_aNightlife _zNew York (State) _zNew York _xHistory _y20th century.
650		0	_aAfrican Americans _zNew York (State) _zNew York _xSocial life and customs _y20th century.
650		0	_aCocaine abuse _zNew York (State) _zNew York _xHistory _y20th century.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2117501&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hTX.. _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c78552 _d78552
902			_a1 _bCynthia Snell _c1 _dCynthia Snell