000 | 01968cam a2200385Mi 4500 | ||
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001 | on1027194511 | ||
003 | OCoLC | ||
005 | 20240726104806.0 | ||
008 | 180303s2014 wiu o 000 0 eng d | ||
040 |
_aEBLCP _beng _epn _erda _cEBLCP _dOCLCQ _dNT |
||
020 | _a9781480355132 | ||
020 |
_a9781495028953 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aML3470 _b.U556 2014 |
049 | _aMAIN | ||
100 | 1 |
_aBeinhorn, Michael. _e1 |
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245 | 1 | 0 | _aUnlocking Creativity. |
260 |
_aMilwaukee : _bHal Leonard Corporation, _c(c)2014. |
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300 | _a1 online resource (179 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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504 | _a2 | ||
520 | 0 | _a(Music Pro Guide Books and DVDs). Here, record producer Beinhorn reveals how to deal with interpersonal issues record producers face when they work with artists one on one or in small groups. The situations and solutions are based upon the author's personal and professional experience working with a variety of different artists, such as Herbie Hancock, the Red Hot Chili Peppers, Soul Asylum, Hole, Soundgarden, Ozzy Osbourne, Courtney Love, Marilyn Manson, Social Distortion, Korn, and Mew. Beinhorn's unique methods and perspective, applied to record producing and music making in the studio, opens. | |
530 |
_a2 _ub |
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650 | 4 |
_aPopular music _xProduction and direction. |
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650 | 0 |
_aPopular music _xProduction and direction. |
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650 | 0 | _aSound recording industry. | |
650 | 0 | _aCreation (Literary, artistic, etc.) | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2017142&site=eds-live&custid=s3260518 |
942 |
_cOB _D _eEB _hML. _m2014 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c78426 _d78426 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |