| 000 | 01921cam a2200349Mi 4500 | ||
|---|---|---|---|
| 001 | on1083224807 | ||
| 003 | OCoLC | ||
| 005 | 20240726104805.0 | ||
| 008 | 190124s2019 enk o 000 0 eng d | ||
| 040 |
_aYDX _beng _erda _cYDX _dNT _dEBLCP _dNT |
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| 020 |
_a9781527524880 _q((electronic)l(electronic)ctronic) |
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| 043 | _ae-it--- | ||
| 050 | 0 | 4 |
_aTR184 _b.P468 2019 |
| 049 | _aMAIN | ||
| 245 | 1 | 0 |
_aPhotography as power : _bdominance and resistance through the italian lens / _cedited by Marco Andreani and Nicoletta Pazzaglia. |
| 260 |
_aNewcastle upon Tyne : _bCambridge Scholars Publishing, _c(c)2019. |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_adata file _2rda |
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| 504 | _a2 | ||
| 520 | 0 | _aEnriched with an introduction by David Forgacs, this book explores the complex relationship between photography and power in its various manifestations in Italian history throughout the nineteenth, twentieth and twenty-first centuries. How did the Italian state employ the medium of photography as an instrument of dominance? In which ways has photography been used as a critical medium to resist hegemonic discourses? Taking into account published and unpublished images from professional photographers such as Letizia Battaglia, Tano D'Amico and Mario Cresci and non-professional photographers, art. | |
| 530 |
_a2 _ub |
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| 650 | 0 |
_aPhotography _xPolitical aspects _zItaly _xHistory. |
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| 655 | 1 | _aElectronic Books. | |
| 700 | 1 |
_aAndreani, Marco, _e5 |
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| 856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2004207&site=eds-live&custid=s3260518 |
| 942 |
_cOB _D _eEB _hTR _m2019 _QOL _R _x _8NFIC _2LOC |
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| 994 |
_a92 _bNT |
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| 999 |
_c78374 _d78374 |
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| 902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |
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