000			01933cam a2200385Mi 4500
001			ocn968918438
003			OCoLC
005			20240726104804.0
008			170119s2017 ilu o 000 0 eng d
040			_aYDX _beng _epn _erda _cYDX _dEBLCP _dOCLCO _dLLB _dOCLCO _dYDX _dOCLCQ _dUAB _dOCL _dOTZ _dOCLCQ _dJSTOR _dMERUC _dINT _dOCLCQ _dNT
020			_a9780810134560 _q((electronic)l(electronic)ctronic)
050	0	4	_aPQ7552 _b.M435 2017
049			_aMAIN
100	1		_aWells, Sarah Ann, _d1979- _e1
245	1	0	_aMedia laboratories : _blate modernist authorship in South America / _cSarah Ann Wells.
260			_aEvanston, Illinois : _bNorthwestern University Press, _c(c)2017.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aFlashpoints
504			_a2
505	0	0	_aAcknowledgments; Preface: Alternative Circuits; Introduction. Media Laboratories; 1. Conscripting Global Cinema; 2. Tuning in: The Late Modernist Acousmêtre; 3. Pounding Away at the Typewriter: Authorship and Proprioception; 4. The Residual Haptic: Feelership in Felisberto Hernández; 5. Imaginary Media: Usership and the World's Networks; Epilogue; Notes; Bibliography; Index.
530			_a2 _ub
650		0	_aSenses and sensation in literature.
650		0	_aMass media in literature.
650		0	_aExperimental fiction, Latin American _xHistory and criticism.
650		0	_aLatin American fiction _y20th century _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1986342&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hPQ _m2017 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c78310 _d78310
902			_a1 _bCynthia Snell _c1 _dCynthia Snell