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001 on1079417351
003 OCoLC
005 20240726104804.0
008 181220t20192018nyu o 000 0 eng d
040 _aYDX
_beng
_erda
_cYDX
_dNT
_dJSTOR
_dEBLCP
_dMERUC
_dOCLCF
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020 _a9780823284979
_q((electronic)l(electronic)ctronic)
050 0 4 _aPR6019
_b.J693 2019
049 _aMAIN
245 1 0 _aJoyce studies annuaeditors, Moshe Gold and Philip Sicker.
260 _a[New York] :
_bFordham University Press,
_c(c)2019.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
504 _a2
505 0 0 _aCover; JOYCE STUDIES ANNUAL 2018; Title; Copyright; CONTENTS; Preface; Articles; Seeing James Joyce's Ulysses into the Digital Age: Forty Years of Steering an Edition Through Turbulences of Scholarship and Reception; A Lifelong Odyssey, Ulysses and Me: The Gifford and Seidman Annotation; Philatelic Ulysses; Leopold Bloom on Death; "The link between nations and generations": Cissy Caffrey as Radicalized and Sexualized Other in James Joyce's Ulysses; Building Metonymic Meaning with Joyce, Deleuze, and Guattari
505 0 0 _a"One Man Like a City": Masculinity and History in Finnegans Wake and William Carlos Williams's Paterson"A phantom city, phaked of philim pholk": Spectral Topographies and Re-awakenings in James Joyce's Finnegans Wake and Sheridan Le Fanu's The House by the Churchyard; Spies in Joyce's "The Sisters": Allegorical Histories, the Irish Rebellion, and The Count of Monte Cristo; Art; Drawing on Finnegans Wake: "the one the pictor of the other"; Note; The Horses of "Araby"; List of Contributors; Color Plates
530 _a2
_ub
600 1 0 _aJoyce, James,
_d1882-1941
_xCriticism and interpretation.
655 1 _aElectronic Books.
700 1 _aGold, Moshe.
700 1 _aSicker, Philip.
856 4 0 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password.
_uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1986190&site=eds-live&custid=s3260518
942 _cOB
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_m2019
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_8NFIC
_2LOC
994 _a92
_bNT
999 _c78303
_d78303
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell