000			02818cam a2200457Ii 4500
001			on1090682546
003			OCoLC
005			20240726104801.0
008			190327t20192019nyua ob 001 0 eng d
040			_aYDX _beng _erda _cYDX _dNT _dP@U _dEBLCP _dJSTOR _dYDXIT
020			_a9780823283590 _q((electronic)l(electronic)ctronic)
041	1		_aeng _hfre
050	0	4	_aPN1995 _b.S874 2019
049			_aMAIN
100	1		_aSzendy, Peter, _e1
245	1	0	_aThe supermarket of the visible : _btoward a general economy of images / _cPeter Szendy ; translated by Jan Plug.
250			_aFirst edition.
260			_aNew York : _bFordham University Press, _c(c)2019.
300			_a1 online resource (viii, 161 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aThinking out loud : the Sydney lectures in philosophy and society
500			_aTranslated from the French.
504			_a2
505	0	0	_aCover; The Supermarket of the Visible; Title; Copyright; CONTENTS; Sydney Lectures; 1. Money, or The Other Side of Images; 2. The Point of (No) Exchange, or The Debt-Image; 3. Innervation, or The Gaze of Capital; Additional Features; Merchandise: Godzilla's Eye; Deleted Scenes: Doors and Slide Changers in Pickpocket and Obsession; Deleted Scenes: Three Variations on Time and Money (Antonioni, De Palma, Bresson); Photo Gallery: Blow-Up, or Why There Are No Images; Locations: 23, rue Bénard, Paris, 75014; Deleted Scene: The Fluctuations of the Unchained Camera (L'Herbier)
505	0	0	_aDeleted Scenes: The General Fetishism of the MarxesDeleted Scenes: The Amortization of the Gaze (King Kong); Formats: Surplus Definition (Redacted); Credits; Notes; Index; AUTHOR BIOS
520	0		_aThe Supermarket of the Visible elaborates a political economy of the images that saturate our world. From the first elevators and escalators (tracking shots avant la lettre) to cinema (the great conductor of gazes), all the way down to contemporary eye-tracking techniques that monitor the slightest saccades of our eyes, Peter Szendy offers an entirely novel theory of the intersection of visual culture and economics.
530			_a2 _ub
650		0	_aMotion pictures _xPhilosophy.
650		0	_aMotion pictures _xEconomic aspects.
650		0	_aVisual perception.
650		0	_aSemiotics.
655		1	_aElectronic Books.
700	1		_aPlug, Jan, _etrl
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1863970&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hPN _m2019 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c78141 _d78141
902			_a1 _bCynthia Snell _c1 _dCynthia Snell