000			02008cam a2200373Ii 4500
001			ocn993683620
003			OCoLC
005			20240726104750.0
008			170714r20162014enkg ob 001 0 eng d
040			_aIDEBK _beng _erda _cIDEBK _dNT _dOCLCQ _dNT
020			_a9781351561617 _q((electronic)l(electronic)ctronic)
020			_a9781315092270 _q((electronic)l(electronic)ctronic)
050	0	4	_aML423 _b.J643 2016
049			_aMAIN
100	1		_aSeares, Margaret, _d1968- _e1
245	1	0	_aJohann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre _bMattheson's universal style in theory and practice / _cMargaret Seares.
260			_aLondon ; _aNew York : _bRoutledge _c2016.
300			_a1 online resource : _bmusic.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aRoyal Musical Association monographs ; _v25
500			_a"First published 2014 by Ashgate Publishing."
504			_a2
505	0	0	_aThe formative years leading up to Das neu-eröffnete Orchestre and the Pièces de clavecin -- _tMattheson's Das neu-eröffnete Orchestre of 1713 -- _tLes pièces de clavecin/Harmonisches Denckmahl -- _tMattheson's German heritage -- _tMusic à la mode : Mattheson's response to the music of his Italian and French contemporaries -- _tMattheson and universalism -- _tMattheson's dance movements : an amalgam of styles -- _tConclusion -- _tAppendix : translation of Part 3, chapter 1 from Das neu-eröffnete Orchestre.
530			_a2 _ub
650		0	_aMusic _zGermany _y18th century _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1551751&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hML. _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c77572 _d77572
902			_a1 _bCynthia Snell _c1 _dCynthia Snell