000			03482cam a2200421Ii 4500
001			ocn994205882
003			OCoLC
005			20240726104750.0
008			170720r20162009enk ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dNT _dOCLCF _dYDX _dIDEBK
020			_a9781351550512 _q((electronic)l(electronic)ctronic)
043			_ae-uk-en _ae-ur---
050	0	4	_aML423 _b.R673 2016
049			_aMAIN
100	1		_aBullock, Philip Ross, _e1
245	1	0	_aRosa Newmarch and Russian music in late nineteenth and early twentieth-century England /Philip Ross Bullock.
260			_aMilton Park, Abingdon, Oxon ; _aNew York, NY : _bRoutledge, Taylor and Francis Group, _c(c)2016.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aRoyal Musical Association monographs ; _vno. 18
500			_aFirst published 2009 by Ashgate Publishing.
504			_a2
505	0	0	_aThe invention of Rosa Newmarch -- _tThe invention of Russia -- _tNationalism and music -- _tAudiences and intellectuals -- _tWomen and society -- _tAfter Russia.
520	0		_aPhilip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England." "On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life." "Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia picked up and developed these themes in the context of interwar Europe.
530			_a2 _ub
600	1	0	_aNewmarch, Rosa, _d1857-1940.
650		0	_aMusical criticism _zEngland _xHistory _y19th century.
650		0	_aMusical criticism _zEngland _xHistory _y20th century.
650		0	_aMusic _zRussia _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1551749&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hML. _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c77571 _d77571
902			_a1 _bCynthia Snell _c1 _dCynthia Snell