000			03174cam a2200397Ii 4500
001			ocn984292512
003			OCoLC
005			20240726104748.0
008			170425s2017 onc ob 001 0 eng d
040			_aYDX _beng _epn _erda _cYDX _dNT _dEBLCP _dNT _dOCLCO _dNT _dCELBN _dOCLCQ _dU3G _dOCLCO _dUAB _dBTN _dSNK _dMERUC _dOCLCQ _dCEF _dIGB _dAUW _dMHW _dINTCL _dINT _dOTZ _dOCLCQ _dG3B _dS8I _dS8J _dS9I _dSTF _dOCLCQ _dD6H _dAGLDB _dCNTRU _dM8D _dUKAHL _dOCLCQ _dK6U _dJSTOR
016			_a20179012207
020			_a9781442625716 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN171 _b.A786 2017
049			_aMAIN
100	1		_aLessard, Bruno, _d1977- _e1
245	1	0	_aThe art of subtraction : _bdigital adaptation and the object image / _cBruno Lessard.
260			_aToronto : _bUniversity of Toronto Press, _c(c)2017.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
505	0	0	_aCover; Copyright page; Contents; Acknowledgments; Introduction; 1 Back to the Future: The Rise of CD-ROM; 2 In the Realm of Digital Heterotopias: Exploring CD-ROM Space; 3 A Sensuous Gaze: Interactive Chronophotography and Relation-Images; 4 A Cinema of One's Own: The Mediumistic Performance of the Female Body; 5 Spaces of Desire: Mapping and Translating Lesbian Reality; 6 In Search of Lost Space: Photographic Memories and the Digital Punctum; Conclusion; Notes; Bibliography; Index.
520	0		_aThe Art of Subtraction is the first full-length study on the CD-ROM as a creative platform.
504			_a2
520	0		_a"The Art of Subtraction is the first full-length study on the CD-ROM as a creative platform. Bruno Lessard traces the rise and relatively rapid fall of the CD-ROM in the 1980s and 1990s and its impact as a creative platform for media artists such as Jean-Louis Boissier, Zoe Beloff, Adriene Jenik, and Chris Marker. Although the CD-ROM was not a lasting commercial success it was a vibrant medium that allowed for experimentation in adapting literary works. Building on the work of Gilles Deleuze and Michele Foucault, Lessard establishes a comparative framework for linking digital adaptations with innovative concepts such as 'subtractive adaptation' and the 'object image' that will be of interest to researchers examining literary adaptations on other digital platforms such as websites, smart phones, tablets, and digital games. The Art of Subtraction is a fascinating study of intermediality in the late twentieth century and it provides the first chapter in the yet unwritten history of digital adaptation."-- _cProvided by publisher.
530			_a2 _ub
650		0	_aLiterature _xAdaptations _xHistory and criticism.
650		0	_aCD-ROMs.
650		0	_aDigital media.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1512831&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hPN. _m2017 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c77477 _d77477
902			_a1 _bCynthia Snell _c1 _dCynthia Snell