000 | 02800cam a22004458i 4500 | ||
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001 | ocn957265023 | ||
005 | 20240726104742.0 | ||
008 | 160823s2016 mdu ob 001 0 eng | ||
010 | _a2016039017 | ||
040 |
_aDLC _beng _erda _epn _cDLC _dOCLCO _dNT _dIDEBK _dYDX _dEBLCP _dOCLCF _dOTZ _dOCLCQ |
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020 |
_a9781498523295 _q((electronic)l(electronic)ctronic) |
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042 | _apcc | ||
043 | _an-us--- | ||
050 | 1 | 0 |
_aPN1995 _b.E585 2016 |
100 | 1 |
_aMartin, Kameelah L., _d1978- _e1 |
|
245 | 1 | 0 |
_aEnvisioning Black feminist voodoo aesthetics : _bAfrican spirituality in American cinema / _cKameelah L. Martin. |
260 |
_aLanham : _bLexington Books, _c(c)2016. |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 0 | _aBlack diasporic worlds: origins and evolutions from new world slaving | |
504 | _a2 | ||
505 | 0 | 0 |
_aIntroduction: Towards a Black feminist voodoo aesthetic -- _tVintage Hollywood voodoo: the Black priestess in 1930s cinema -- _tMambos, chickens, and blood: disrupting visual pleasure in Alan Parker's Angel heart -- _tFor us, by us: Black feminist narratives of resistance in the independent films of Julie Dash and Kasi Lemmons -- _tSubversion and entertainment: elegba, trickery, and Black female absence in the Skeleton key -- _tVoodoo in Disneyland?: spiritual appropriation by the mouse; or imagineered voodoo aesthetics -- _tEpilogue: "Good wickedry": Beyoncé and the Black feminist voodoo aesthetics of Lemonade. |
520 | 0 | _aThis book interrogates eight contemporary American films to determine what role the use of Voodoo in popular representations has played in the construction of black female imaginaries within the United States. It evaluates how filmmakers employ Voodoo aesthetics to reenact black women's spirituality on screen by engaging themes of body politics, expressions of sexuality, agency, self-determination, and cultural appropriation. | |
530 |
_a2 _ub |
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650 | 0 | _aVodou in motion pictures. | |
650 | 0 |
_aMotion pictures _zUnited States _xHistory. |
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650 | 0 | _aAfrican Americans and mass media. | |
650 | 0 | _aFeminism and motion pictures. | |
650 | 0 |
_aMotion pictures _xReligious aspects. |
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650 | 0 | _aReligion in motion pictures. | |
650 | 0 |
_aFeminist criticism _zUnited States. |
|
650 | 0 |
_aMotion pictures _xSocial aspects _zUnited States. |
|
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1342899&site=eds-live&custid=s3260518 |
942 |
_cOB _D _eEB _hPN.. _m2016 _QOL _R _x _8NFIC _2LOC |
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999 |
_c77090 _d77090 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |