000 | 05101nam a2200373Ki 4500 | ||
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001 | ocn970659132 | ||
003 | OCoLC | ||
005 | 20240726104737.0 | ||
008 | 170130s2017 nyu ob 001 0 eng d | ||
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_aNT _beng _erda _epn _cNT |
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_a9781479850815 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aHM1206 _b.C858 2017 |
049 | _aMAIN | ||
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_aCulture jamming : _bactivism and the art of cultural resistance / _cedited by Marilyn DeLaure and Moritz Fink ; with a foreward by Mark Dery. |
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_aNew York : _bNew York University Press, _c(c)2017. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_aForeword / _rMark Dery -- _tAcknowledgments -- _tIntroduction / _rMarilyn DeLaure and Moritz Fink -- _tDefinitions and debates -- _tCulture jamming : hacking, slashing, and sniping in the empire of signs / _rMark Dery -- _tPranking rhetoric : "culture jamming" as media activism / _rChristine Harold -- _tThe faker as producer: the politics of fabrication and the three orders of the fake / _rMarco Deseriis -- _tPutting the "jamming" into culture jamming : theory, praxis, and cultural production during the Arab spring / _rMark LeVine -- _tFrom culture jamming to cultural acupuncture / _rHenry Jenkins -- _tCritical case studies -- _tRadical scavenging revisited : emile de Antonio and the culture jamming of compilation film / _rChristof Decker -- _tNever mind the Bollocks : shepard fairey's fight for appropriation, fair use, and free culture / _rEvelyn McDonnell -- _tFacing : image and politics in Jr's global street art (2004/2012) / _rMichael LeVan -- _tAnswering back! Banksy's street art and the power relations of public space / _rBenedikt Feiten -- _tCo-opting the culture jammers: the guerrilla marketing of crispin porter + -- _tBogusky -- _tMichael serazio -- _tCulture jamming in prime time : the Simpsons and the tradition of corporate satire / _rMoritz Fink -- _tThe poetics of ruptural performance / _rTony Perucci -- _tTurning tricks : culture jamming and the flash mob / _rRebecca Walker -- _tMemes, movements, and meteorology : occupy Wall Street and new mutations in culture jamming / _rJack Bratich -- _tJamming the simulacrum : on drones, virtual reality, and real wars / _rWazhmah Osman -- _tBalaclavas and Putin : pussy riot, carnivalesque protest, and political culture : jamming in Russia / _rAnna Baranchuk -- _tCulture jammers' studio -- _tThe day I killed freedom of expression / _rKembrew McLeod -- _tNotes on the economic unconscious from a billionaire for Bush / _rAndrew Boyd -- _tArtwork and commentary / _rThe Guerrilla Girls -- _tDelocator.net : using the web to organize and promote alternative behaviors -- _tThe yes men : an interview / _rMarilyn DeLaure -- _tNetworked reality flow hacks / _rPaolo Cirio -- _tIocose : art, authority, and culture jamming / _rPaolo Ruffino, Matteo Cremonesi, Filippo Cuttica, and Davide Prati (IOCOSE) -- _t"Say yes" : an interview with reverend Billy and Savitri D / _rMarilyn DeLaure -- _tAbout the contributors -- _tIndex. |
520 | 8 | _aCoined in the 1980s, culture jamming refers to an array of tactics deployed by activists to critique, subvert, and otherwise jam the workings of consumer culture. Ranging from media hoaxes and advertising parodies to flash mobs and street art, these actions seek to interrupt the flow of dominant, capitalistic messages that permeate our daily lives. Employed by Occupy Wall Street protesters and the Russian feminist punk band Pussy Riot alike, culture jamming scrambles the signal, injects the unexpected, and spurs audiences to think critically and challenge the status quo. The essays, interviews, and creative work assembled in this unique volume explore the shifting contours of culture jamming by plumbing its history, mapping its transformations, testing its force, and assessing its efficacy. Revealing how culture jamming is at once playful and politically transgressive, this accessible collection explores the degree to which culture jamming has fulfilled its revolutionary aims. Featuring original essays from prominent media scholars discussing Banksy and Shepard Fairey, foundational texts such as Mark Dery s culture jamming manifesto, and artwork by and interviews with noteworthy culture jammers including the Guerrilla Girls, The Yes Men, and Reverend Billy, "Culture Jamming" makes a crucial contribution to our understanding of creative resistance and participatory culture. | |
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_aMass media _xSocial aspects. |
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_aMass media _xPolitical aspects. |
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655 | 1 | _aElectronic Books. | |
700 | 1 |
_aDeLaure, Marilyn, _e5 |
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700 | 1 |
_aFink, Moritz, _e5 |
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856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1218916&site=eds-live&custid=s3260518 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |