000 | 05624cam a2200565Mi 4500 | ||
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001 | ocn961873362 | ||
003 | OCoLC | ||
005 | 20240726104736.0 | ||
008 | 160915s2016 sz a ob 001 0 eng d | ||
010 | _a2016939236 | ||
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_aUPM _beng _erda _epn _cUPM _dOCLCO _dOCLCQ _dOCLCF _dVT2 _dOCLCO _dYDX _dNT _dEBLCP _dIDEBK _dCCO _dUIU _dIOG _dREB _dJG0 _dUAB _dCOO _dSTJ _dIAD _dJBG _dICW _dESU _dILO _dMERER _dOCLCO _dICN _dGZM _dOCLCO _dOCLCQ _dIAS _dOCLCQ _dOCLCO _dOCLCA _dU3W _dOCLCA _dCAUOI _dOCLCO _dOH1 _dOCLCO _dNJR _dKSU _dAU@ _dOCLCO _dWYU _dOCLCA _dBRX _dOCLCO _dUKAHL _dOCLCQ _dOCLCO _dUKMGB _dERF _dOCLCQ _dOCLCA _dOCLCQ _dOCLCA _dOCLCQ _dSRU _dOCL _dOCLCO |
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_aGBB9C0670 _2bnb |
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016 | 7 |
_a019448011 _2Uk |
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020 | _a9783319294049 | ||
020 | _a3319294040 | ||
050 | 0 | 4 |
_aBF175 _b.I584 2016 |
049 | _aMAIN | ||
245 | 1 | 0 | _aInterdisciplinary handbook of trauma and culture /Yochai Ataria, David Gurevitz, Haviva Pedaya, Yuval Neria, editors. |
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_aSwitzerland : _bSpringer, _c(c)2016. |
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_a1 online resource (xvii, 399 pages) : _billustrations |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_aIntroduction -- _tPart I: Representations of Trauma.-Trauma and Literature: The Postmodern Option -- _tFranz Kafka and Cormac Mccarthy -- _tCultural Trauma and the Media -- _tTelevision: A Traumatic Culture -- _tPopular Trauma Culture: The Pain of Others Between Holocaust Tropes and Kitsch-Sentimental Melodrama -- _tThe Trauma of Modernism: Between Existential Indeterminacy and Allegoresis -- _tBefore Recognition: On the Aesthetics of Aftermath -- _tFrom Hiroshima to Fukushima: Comics and Animation as Subversive Agents of Memory in Japan -- _tPerformative Recollection: Koizumi Meiro Representations of Kamikaze Pilots and the Trauma of Asia-Pacific War in Japan -- _tArchitecture and Trauma -- _tArt as the Transport-Station of Trauma -- _tPart II: Theory of Trauma -- _tThe Trauma of Philosophy -- _tIrresponsible Nonsense: An Epistemological and Ethical Critique of Postmodern Trauma Theory.-The Death of the Witness in the Era of Testimony: Primo Levi and Georges Perec -- _tWalking, Walking Out and Walking Through: Transitional Space and Traumatic Time -- _tTrauma and Monotheism: Sigmund Freud's Moses and Monotheism and the Possibility of Writing a Traumatic History of Religion -- _tThe Crisis of Manhood -- _tLaius Complex and Shocks of Maternality: With Franz Kafka and Sylvia Plath -- _tFear, Trauma, and Posttraumatic Stress Disorder: Clinical, Neurobiological, and Cultural Perspectives -- _tPart III: Case Studies of Collective Trauma -- _tSome Reflections on Transmitting the Memory of the Holocaust and its Implications, Particularly in Israel -- _tPlacing Collective Trauma within its Social Context: the Case of 9/11 Attacks -- _tMasculinity, Spirituality, and Male Wartime Sexual Trauma -- _tKilling the Killer: Rampage and Gun Rights as a Syndrome -- _tLoss, Traumatic Bereavement and Mourning Culture: The Israel Example -- _tFear and Silence in Burma and Indonesia: Comparing Two National Tragedies and Two Individual Outcomes of Trauma -- _tConclusion: Trauma and Culture: How Trauma can Shape the Human Mind. |
520 | 0 | _aThis lofty volume analyzes a circular cultural relationship; it not only explores how trauma is reflected in cultural processes and products, but also how trauma itself can shape literature, visual and performing arts, architecture, religion, and mythmaking. Analyses of American, Israeli, and Japanese art forms reveal the power of trauma, as reflected in varying roles of perpetrator, victim, and witness. Traumatic complexities are traced through the consideration of spirituality, religion, movement, philosophy, psychology, and trauma theory. Additionally, essays on authors such as Kafka, Plath, and Cormac McCarthy examine how narrative can blur the boundaries of personal and collective experience. Among the topics covered: Television: a traumatic culture. From Hiroshima to Fukushima: comics and animation as subversive agents of memory in Japan The difference between trauma and fear The death of the witness in the era of testimony: Primo Levi and Georges Perec. Sigmund Freud Moses and Monotheism and the possibility of writing a traumatic history of religion. Placing collective trauma within its social context: the case of the 9/11 attacks. Killing the killer: rampage and gun rights as a syndrome. This volume appeals to multiple readerships including researchers and clinicians, sociologists, anthropologists, historians, and media researchers. | |
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_aPsychic trauma _xSocial aspects. |
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650 | 0 | _aPsychic trauma and mass media. | |
650 | 0 | _aPsychic trauma in motion pictures. | |
650 | 0 | _aPsychic trauma in literature. | |
650 | 0 | _aMass media. | |
650 | 1 | 2 |
_aPsychological Trauma _xpsychology |
650 | 1 | 2 |
_aPsychological Trauma _xethnology |
650 | 2 | 2 | _aMotion Pictures as Topic |
650 | 2 | 2 | _aLiterature |
650 | 2 | 2 | _aMotion Pictures |
650 | 2 | 2 | _aMass Media |
650 | 2 | 2 | _aSociological Factors |
655 | 1 | _aElectronic Books. | |
700 | 1 |
_aAtaria, Yochai, _e5 |
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700 | 1 |
_aGurevitz, David, _e5 |
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700 | 1 |
_aPedaya, Haviva, _e5 |
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700 | 1 |
_aNeria, Yuval, _e5 |
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856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1175631&site=eds-live&custid=s3260518 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |