000			03258cam a2200421 i 4500
001			ocn894032950
003			OCoLC
005			20240726104731.0
008			141028s2015 msua ob 001 0 eng
010			_a2014042598
040			_aDLC _beng _erda _epn _cDLC _dYDX _dOCLCF _dNT _dYDXCP _dIDEBK _dCDX _dEBLCP _dOCLCO _dMERUC _dOCLCQ _dOCLCO _dZCU _dOCLCQ _dOCLCO _dOCLCA _dICG _dOCLCQ _dYOU _dDKC _dOCLCO _dOCLCQ _dOCLCO _dK6U _dOCLCO
020			_a9781628464863 _q((electronic)l(electronic)ctronic)
020			_a9781628464825
041	1		_aeng _hspa
042			_apcc
050	1	4	_aPN6710 _b.O584 2015
049			_aMAIN
100	1		_aGarcía, Santiago, _d1968- _e1
245	1	0	_aOn the graphic novel /Santiago García ; translated by Bruce Campbell.
260			_aJackson : _bUniversity Press of Mississippi, _c(c)2015.
300			_a1 online resource (xvii, 230 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
500			_aTranslated from the Spanish.
520	0		_a"A noted comics artist himself, Santiago García follows the history of the graphic novel from early nineteenth-century European sequential art, through the development of newspaper strips in the United States, to the development of the twentieth-century comic book and its subsequent crisis. He considers the aesthetic and entrepreneurial innovations that established the conditions for the rise of the graphic novel all over the world. Garcia not only treats the formal components of the art, but also examines the cultural position of comics in various formats as a popular medium. Typically associated with children, often viewed as unedifying and even at times as a threat to moral characters, comics art has come a long way. With such examples from around the world as Spain, France, Germany, and Japan, Garcia illustrates how the graphic novel, with its increasingly global and aesthetically sophisticated profile, represents a new model for graphic narrative production that empowers authors and challenges longstanding social prejudices against comes and what they can achieve"-- _cProvided by publisher.
504			_a2
505	0	0	_aCover; Contents; Preface to the American Edition: After La novela gráfica; Preface: The Graphic Novel and Adult Art; Introduction; Chapter One: An Old Name for a New Art; Chapter Two: Adult Comics before Adult Comics, from the Nineteenth Century to 1960; Chapter Three: The Comix Underground, 1968-1975; Chapter Four: Alternative Comics, 1980-2000; Chapter Five: The Graphic Novel; Chapter Six: The Last Avant-garde Art; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z.
530			_a2 _ub
650		0	_aGraphic novels _xHistory and criticism.
650		0	_aComic books, strips, etc. _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1057717&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hPN _m2015 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c76447 _d76447
902			_a1 _bCynthia Snell _c1 _dCynthia Snell