000			01859cam a2200361Mi 4500
001			ocn916580871
003			OCoLC
005			20240726104730.0
008			150323s2015 iau ob 001 0 eng d
040			_aP@U _beng _epn _erda _cP@U _dOCLCO _dNT _dYDXCP _dOCLCO _dOCLCF _dOCLCO _dEBLCP _dOCLCQ _dOCLCO _dOCL _dUAB _dMERUC _dOCLCQ _dJSTOR
020			_a9781609383527 _q((electronic)l(electronic)ctronic)
043			_an-us---
050	0	4	_aPS228 _b.N489 2015
049			_aMAIN
100	1		_aBeal, Wesley. _e1
245	1	0	_aNetworks of modernism : _breorganizing American narrative / _cby Wesley Beal.
260			_aIowa City : _bUniversity of Iowa Press, _c(c)2015.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction: Networks and the cultural logic of modernism -- _tIn lieu of a manifesto: Randolph Bourne's "trans-national America" as an origin of network aesthetics -- _tNetwork form as network politics in Jean Toomer's Cane -- _tPublic spaces and distributed settings in Anita Loos's Gentlemen prefer blondes -- _tSchisms: form and content, space and history in John Dos Passos's U.S.A. trilogy -- _tNathanael West's crowds and the closure of modern network aesthetics.
530			_a2 _ub
650		0	_aAmerican literature _y20th century _xHistory and criticism.
650		0	_aModernism (Literature) _zUnited States.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1048277&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hPS. _m2015 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c76400 _d76400
902			_a1 _bCynthia Snell _c1 _dCynthia Snell