| 000 | 01875cam a2200385Ki 4500 | ||
|---|---|---|---|
| 001 | ocn907375484 | ||
| 003 | OCoLC | ||
| 005 | 20240726104726.0 | ||
| 008 | 150415s2015 miua ob 001 0 eng d | ||
| 040 |
_aNT _beng _erda _epn _cNT _dP@U _dIDEBK _dCDX _dE7B _dYDXCP _dEBLCP _dJSTOR |
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| 020 |
_a9780472120758 _q((electronic)l(electronic)ctronic) |
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| 043 | _ae-fr--- | ||
| 050 | 0 | 4 |
_aML3509 _b.A384 2015 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aPerchard, Tom, _d1976- _e1 |
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| 245 | 1 | 0 |
_aAfter Django : _bmaking jazz in postwar France / _cTom Perchard. |
| 260 |
_aAnn Arbor [Michigan] : _bUniversity of Michigan Press, _c(c)2015. |
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| 300 | _a1 online resource (viii, 297 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_adata file _2rda |
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| 490 | 1 | _aJazz perspectives | |
| 504 | _a2 | ||
| 505 | 0 | 0 |
_aHistories of jazz in France -- _tHugues Panassié's supernatural swing : criticism, politics and the iconic jazz recording -- _tJazz between art and entertainment : André Hodeir and Thelonious Monk -- _tCool going cold : Miles Davis and Ascenseur pour l'échafaud -- _tBarney Wilen : phantoms and freedom -- _tLooking for something we don't yet know : towards a French jazz -- _tA good jazzman is a dead jazzman. |
| 530 |
_a2 _ub |
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| 650 | 0 |
_aJazz _zFrance _y1941-1950 _xHistory and criticism. |
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| 650 | 0 |
_aJazz _zFrance _y1951-1960 _xHistory and criticism. |
|
| 650 | 0 |
_aJazz _zFrance _y1961-1970 _xHistory and criticism. |
|
| 655 | 1 | _aElectronic Books. | |
| 856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=978591&site=eds-live&custid=s3260518 |
| 942 |
_cOB _D _eEB _hML. _m2015 _QOL _R _x _8NFIC _2LOC |
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| 994 |
_a92 _bNT |
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| 999 |
_c76176 _d76176 |
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| 902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |
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