000			03622cam a2200409Mi 4500
001			ocn900223867
003			OCoLC
005			20240726104724.0
008			140919s2014 nyu ob 001 0 eng d
040			_aP@U _beng _epn _erda _cP@U _dOCLCO _dYDXCP _dNT _dOCLCF _dJSTOR _dOCL _dOCLCQ _dOCLCO _dIDEBK _dE7B _dEBLCP _dIDB _dOCLCQ _dOCLCO _dOCLCA _dOCLCQ _dMERUC _dIOG _dEZ9 _dOCLCQ _dOCLCO _dU3W _dLVT _dDKC _dOCLCQ _dOCLCO _dU9X _dLUN _dOCLCQ _dOCLCO
020			_a9780823263493 _q((electronic)l(electronic)ctronic)
020			_a9780823263509 _q((electronic)l(electronic)ctronic)
043			_ae-uk---
050	0	4	_aPR3592 _b.L975 2014
049			_aMAIN
100	1		_aNetzley, Ryan, _d1972- _e1
245	1	0	_aLyric apocalypse : _bMilton, Marvell, and the nature of events / _cRyan Netzley.
260			_aNew York : _bFordham University Press, _c(c)2014.
300			_a1 online resource (256 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aVerbal arts : studies in poetics
504			_a2
520	0		_a"How can one experience the apocalypse in the present? Lyric Apocalypse argues that John Milton's and Andrew Marvell's lyrics depict revelation as an immediately perceptible event. In so doing, their lyrics explore the nature of events, the modern question of what it means for something to happen in the present"-- _cProvided by publisher.
520	0		_a"What's new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new. John Milton's and Andrew Marvell's lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation's insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen. Lyric Apocalypse argues that Milton's and Marvell's lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no "after" to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new"-- _cProvided by publisher.
505	0	0	_aIntroduction. Lyric Apocalypses, Transformative Time, and the Possibility of Endings -- _t1. Apocalyptic Means: Allegiance, Force, and Events in Marvell's Cromwell Trilogy and Royalist Elegies -- _t2. Hope in the Present: Paratactic Apocalypses and Contemplative Events in Milton's Sonnets -- _t3. What Happens in Lycidas Apocalypse, Possibility, and Events in Milton's Pastoral Elegy -- _t4. How Poems End: Apocalypse, Symbol, and the Event of Ending in "Upon Appleton House" -- _tConclusion. Revelation: Learning Freedom and the End of Crisis.
530			_a2 _ub
650		0	_aApocalypse in literature.
650		0	_aEnd of the world in literature.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=953583&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hPR. _m2014 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c76065 _d76065
902			_a1 _bCynthia Snell _c1 _dCynthia Snell