000 | 05102cam a2200493Li 4500 | ||
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001 | ocn889268967 | ||
003 | OCoLC | ||
005 | 20240726104724.0 | ||
008 | 140731t20142014nyua ob 001 0 eng d | ||
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_aE7B _beng _erda _epn _cE7B _dOCLCO _dNT _dOCLCF _dIDEBK _dEBLCP _dYDXCP _dOCLCQ _dN15 _dJSTOR |
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_a9780823260669 _q((electronic)l(electronic)ctronic) |
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_a9781322965239 _q((electronic)l(electronic)ctronic) |
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_a9780823256372 _q((electronic)l(electronic)ctronic) |
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_an-us-ca _ae-it--- |
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_aNA2930 _b.S233 2014 |
049 | _aMAIN | ||
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_aSabato Rodia's towers in Watts : _bart, migrations, development / _cedited by Luisa Del Giudice. |
250 | _aFirst edition. | ||
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_aNew York, New York : _bFordham University Press, _c(c)2014. |
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_a1 online resource (493 pages) : _billustrations. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aCritical Studies In Italian America | |
504 | _a1 at the end of each chapters and index. | ||
505 | 0 | 0 | _aCover; Contents; Acknowledgments; Introduction: Sabato Rodia's Towers in Watts and the Search for Common Ground; Part I. Situating Sabato Rodia and the Watts Towers: Art Movements, Cultural Contexts, and Migrations; Local Art, Global Issues: Tales of Survival and Demise Among Contemporary Art Environments; Everybody Knows This Is Nowhere: Structure and Performance in Rodia's Watts Towers; Sam Rodia's Watts Towers in Six Sections in Succession; Without Precedent: The Watts Towers; An Era of Grand Ambitions: Sam Rodia and California Modernism. |
505 | 0 | 0 | _aA California Detour on the Road to Italy: The Hubcap Ranch, the Napa Valley, and Italian American IdentityThe Gigli of Nola During Rodia's Times; The Literary and Immigrant Contexts of Simon Rodia's Watts Towers; Sabato Rodia's Towers in Watts: Art, Migration, and Italian Imaginaries; "Why a Man Makes the Shoes?": Italian American Art and Philosophy in Sabato Rodia's Watts Towers; Parallel Expressions: Artistic Contributions of Italian Immigrants in the Rio de la Plata Basin of South America at the Time of Simon Rodia. |
505 | 0 | 0 | _aPart II. The Watts Towers Contested: Conservation, Guardianship, and Cultural HeritageFifty Years of Guardianship: The Committee for Simon Rodia's Towers in Watts (CSRTW); A Custody Case: Ownership of Rodia's Towers; Nuestro Pueblo: The Spatial and Cultural Politics of Los Angeles's Watts Towers; Reading the Watts Towers, Teaching Los Angeles: Storytelling and Public Art; Spires and Towers Between Tangible, Intangible, and Contested Transnational Cultural Heritage; Part III. The Watts Towers and Community Development. |
505 | 0 | 0 | _aArtists in Conversation: R. Judson Powell, John Outterbridge, Charles Dickson, Betye Saar, Kenzi Shiokava, Augustine Aguirre, Artist's Panel moderated by Rosie Lee Hooks (Saturday, October 23, 2010, 121 Dodd Hall, UCLA) Building Community Through Self-Awareness and Self-Expression; Simon Rodia's Watts Towers: Sociopolitical Realities, Economic Underdevelopment, and Renaissance: Yesterday and Today; Afterword: Personal Reflections on the Watts Towers Common Ground Initiative; Appendices; A. Conversations with Rodia, 1953-1964. |
505 | 0 | 0 | _aA.1. Interview of S. Rodia, with William Hale and Ray Wisniewsky, Watts, 1953A.2. Interview with Simon Rodia, by William Hale and Ray Wisniewsky, "At the Towers Site, Standing Outside Rodia's House," 1953; A.3. Conversation with Sam Rodia, by Mae Babitz and Jeanne Morgan, Martinez, California, September, 1960; A.4. Interviews, Part A, B, with S. Rodia, by Ed Farrell, Jody Farrell, Bud Goldstone, and Seymour Rosen, Martinez; and University of California, Berkeley. |
520 | 0 | _aThe extraordinary Watts Towers were created over the course of three decades by a determined, single-minded artist, Sabato Rodia, a highly remarkable Italian immigrant laborer who wanted to do ""something big."" Now a National Historic Landmark and internationally renowned destination, the Watts Towers in Los Angeles are both a personal artistic expression and a collective symbol of Nuestro Pueblo--Our Town/Our People. Featuring fresh and innovative examinations that mine deeper and broader than ever before, Sabato Rodia's Towers in Watts is a muchanticipated revisitation of the man and his to. | |
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_aRodia, Simon, _d1879-1965 _xCriticism and interpretation. |
650 | 0 | _aSimon Rodia's Towers (Los Angeles, Calif.) | |
650 | 4 |
_aRodia, Simon, _x1879-1965 _xCriticism and interpretation. |
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650 | 4 | _aSimon Rodia''s Towers (Los Angeles, Calif.) | |
655 | 1 | _aElectronic Books. | |
700 | 1 |
_aDel Giudice, Luisa, _e5 |
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856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=953582&site=eds-live&custid=s3260518 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |