000 | 02071cam a2200409Ki 4500 | ||
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001 | ocn899987241 | ||
003 | OCoLC | ||
005 | 20240726104723.0 | ||
008 | 150112s2015 txu ob s001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dNT _dE7B _dOCLCF _dYDXCP _dEBLCP _dOCLCQ _dOCLCA |
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020 |
_a9781477303962 _q((electronic)l(electronic)ctronic) |
||
050 | 0 | 4 |
_aHF5415 _b.S455 2015 |
049 | _aMAIN | ||
100 | 1 |
_aSanto, Avi, _e1 |
|
245 | 1 | 0 |
_aSelling the Silver Bullet : _bthe Lone Ranger and transmedia brand licensing / _cAvi Santo. |
250 | _aFirst edition. | ||
260 |
_aAustin : _bUniversity of Texas Press, _c(c)2015. |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aTexas film and media studies series | |
504 | _a2 | ||
505 | 0 | 0 |
_aHi-Yo licensing -- _tPutting on the mask : character licensing before the Lone Ranger -- _tBuilding the franchise one market at a time : the Lone Ranger's extra-textual career in the late 1930s -- _tThe Lone Ranger and the law : the construction of corporate authorship -- _tContaining the ranger : postwar cultural (re)branding and the industrial logics of containment -- _tManaging a legend : the troubled career of the Lone Ranger as heritage brand -- _tThe Lone Ranger and the Mouse House together at last? : new twenty-first-century partnerships in the licensing biz -- _tParting shots. |
530 |
_a2 _ub |
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600 | 0 | 0 |
_aLone Ranger _c(Fictitious character) |
650 | 0 | _aProduct management. | |
650 | 0 | _aLicense agreements. | |
650 | 0 | _aCharacter merchandising. | |
650 | 0 | _aBranding (Marketing) | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=937486&site=eds-live&custid=s3260518 |
942 |
_cOB _D _eEB _hHF. _m2015 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c76012 _d76012 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |