000			03509cam a2200445 i 4500
001			ocn878668154
005			20240726104719.0
008			140428s2014 msu obq 001 0deng
010			_a2014016997
040			_aDLC _beng _erda _epn _cDLC _dYDX _dOCLCF _dNT _dYDXCP _dTEFOD _dE7B _dEBLCP _dCDX _dOCLCO _dTEFOD _dOCLCQ _dD6H _dCOCUF _dCNNOR _dCCO _dPIFAG _dVGM _dZCU _dNRC _dCOO _dMERUC _dU3W _dMNS _dSTF _dOCLCQ _dICG _dOCLCQ _dOCLCO _dWYU _dG3B _dTKN
020			_a9781628460377 _q((electronic)l(electronic)ctronic)
020			_a9781626740495 _q((electronic)l(electronic)ctronic)
020			_a9781626741935
029	1		_aAU@ _b000052795041
029	1		_aAU@ _b000053791056
029	1		_aDEBBG _bBV044071026
042			_apcc
043			_an-us---
050	1	4	_aPN1998 _b.D385 2014
100	1		_aFincher, David, _e1
245	1	0	_aDavid Fincher : _binterviews / _cedited by Laurence F. Knapp.
260			_aJackson : _bUniversity Press of Mississippi, _c(c)2014.
300			_a1 online resource (xxxiii, 233 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aConversations with filmmakers series
520	0		_a"David Fincher (b. 1962) did not go to film school and hates being defined as an auteur. He prefers to see himself as a craftsman, dutifully going about the art and business of making film. Trouble is, it's hard to be self-effacing when you are the director responsible for Se7en, Fight Club, and The Social Network. Along with Quentin Tarantino, Fincher is the most accomplished of the Generation X filmmakers to emerge in the early 1990s. This collection of interviews highlights Fincher's unwavering commitment to his craft as he evolved from an entrepreneurial music video director (Fincher helped Madonna become the undisputed queen of MTV) into an enterprising feature filmmaker. Fincher landed his first Hollywood blockbuster at twenty-seven with Alien3, but that film, handicapped by cost overruns and corporate mismanagement, taught Fincher that he needed absolute control over his work. Once he had it, with Se7en, he achieved instant box-office success and critical acclaim, as well as a close partnership with Brad Pitt that led to the cult favorite Fight Club. Fincher became circumspect in the 2000s after Panic Room, shooting ads and biding his time until Zodiac, when he returned to his mantra that "entertainment has to come hand in hand with a little bit of medicine. Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies. That, to me, is a lie. Everything's not okay." Zodiac reinvigorated Fincher, inspiring a string of films--The Curious Case of Benjamin Button, The Social Network, and The Girl with the Dragon Tattoo--that enthralled audiences and garnered his films dozens of Oscar nominations"-- _cProvided by publisher.
504			_a2
504			_aIncludes filmography.
530			_a2 _ub
600	1	0	_aFincher, David _vInterviews.
650		0	_aMotion picture producers and directors _zUnited States _vInterviews.
655		1	_aElectronic Books.
700	1		_aKnapp, Laurence F., _d1965- _e5
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=847717&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hPN.. _m2014 _QOL _R _x _8NFIC _2LOC
999			_c75809 _d75809
902			_a1 _bCynthia Snell _c1 _dCynthia Snell