000			03276cam a2200409Mi 4500
001			ocn884013127
003			OCoLC
005			20240726104716.0
008			140719s2014 nju o 000 0 eng d
040			_aEBLCP _beng _epn _erda _cEBLCP _dIDEBK _dDEBSZ _dOCLCQ _dOCLCO _dJSTOR _dYDXCP _dOCLCF _dDEBBG _dNT
020			_a9781400861255 _q((electronic)l(electronic)ctronic)
029	1		_aDEBSZ _b41054812X
029	1		_aNLGGC _b389843695
029	1		_aDEBBG _bBV042523864
050	0	4	_aDS822 _b.C858 2014
049			_aNTA
100	1		_aRimer, J. Thomas. _e1
245	1	0	_aCulture and Identity _bJapanese Intellectuals during the Interwar Years. _c
260			_aPrinceton : _bPrinceton University Press, _c(c)2014.
300			_a1 online resource (321 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aPrinceton Legacy Library
504			_a2
505	0	0	_aCover; Contents; Preface ; Part I: The Move Inward; 1. Abe Jirō and the Diary of Santarō; 2. Kurata Hyakuzō and the Origins of Love and Understanding; 3. Taishō Culture and the Problem of Gender Ambivalence; Part II: Culture and Society; 4. Sociology and Socialism in the Interwar Period; 5. Tsuchida Kyōson and the Sociology of the Masses; 6. Disciplinizing Native Knowledge and Producing Place: Yanagita Kunio, Origuchi Shinobu, Takata Yasuma; Part III: Marxism and Cultural Criticism; 7. Marxism Addresses the Modern: Nakano Shigeharu's Reproduction of Taishō Culture.
505	0	0	_a8. ""Credo Quia Absurdum"": Tenko and the Prisonhouse of Language9. Ikkoku Shakai-Shugi: Sano Manabu and the Limits of Marxism as Cultural Criticism; Part IV: Japan in Asia; 10. Nitobe Inazō: From World Order to Regional Order; 11. A Vast and Grave Task: Interwar Buddhist Studies as an Expression of Japan's Envisioned Global Role; 12. A Turning in Taishō: Asia and Europe in the Early Writings of Watsuji Tetsurō; Part V: Art and the Concept of Culture; 13. Kuki Shūzō and the Structure of Iki; 14. Natsume Sōseki and the Development of Modern Japanese Art.
505	0	0	_a15. Yūgen and Erhabene: Ōnishi Yoshinori's Attempt to Synthesize Japanese and Western AestheticsContributors; Index.
520	0		_aThis collection of essays represents the first attempt in this country to examine systematically the nature and development of modern Japanese self-consciousness as expressed through culture. The essays reveal eloquently the extent to which important aspects of Japanese intellectual life in the early twentieth century were inspired by European models of cultural criticism, ranging from Kant and Hegel to Nietzsche, Marx, Durkheim, and Bergson. Implicitly comparative, this collection raises the question whether ""late"" industrialization and related processes call forth cultural convergence).
530			_a2 _ub
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=791139&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hDS. _m2014 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c75613 _d75613
902			_a1 _bCynthia Snell _c1 _dCynthia Snell