000			03276nam a2200421Ki 4500
001			ocn881306165
003			OCoLC
005			20240726104713.0
008			140612s2014 enk ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT
020			_a9781139921831 _q((electronic)l(electronic)ctronic)
043			_ae------ _aff----- _aaw-----
050	0	4	_aPA3873 _b.I263 2014
049			_aNTA
100	1		_aHawkins, Tom, _d1972- _e1
245	1	0	_aIambic poetics in the Roman Empire /Tom Hawkins, Ohio State University.
260			_aCambridge ; _aNew York : _bCambridge University Press, _c(c)2014.
300			_a1 online resource (xi, 334 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
520	0		_a"This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus - however briefly and to whatever end"-- _cProvided by publisher.
504			_a2
505	0	0	_aMachine generated contents note: Introduction; 1. Iambus delayed: Ovid's Ibis; Interlude 1. 'Bad artists imitate, great artists steal': Martial and the trope of not being iambic; 2. Iambos denied: Babrius' Mythiambi; Interlude 2. Iambopoioi after Babrius; 3. The Christian iambopoios: Gregory Nazianzen; Interlude 3. Palladas and epigrammatic iambos; 4. Archilochus in Tarsus: Dio Chrysostom's First Tarsian; Interlude 4. Begging with Hipponax; 5. Playful aggression: Lucian's Pseudologista; Interlude 5. Neobule in love: the Ps.-Lucianic Amores; 6. Festive iambos: Julian's Misopogon; Interlude 6. Iambic time travel: Julian the Egyptian on Archilochus; Conclusions: becoming Archilochus.
530			_a2 _ub
600	0	0	_aArchilochus _xCriticism and interpretation.
600	0	0	_aArchilochus _xInfluence.
650		0	_aIambic poetry, Classical _xHistory and criticism.
650		0	_aGreek language _xMetrics and rhythmics.
650		0	_aLatin language _xMetrics and rhythmics.
650		0	_aLatin literature _xGreek influences.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=711606&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hPA. _m2014 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c75419 _d75419
902			_a1 _bCynthia Snell _c1 _dCynthia Snell