000			05027cam a2200445Mi 4500
001			ocn870588208
003			OCoLC
005			20240726104712.0
008			140215s2014 enk o 000 0 eng d
040			_aEBLCP _beng _erda _cEBLCP _dHEBIS _dNT
020			_a9781408185759 _q((electronic)l(electronic)ctronic)
050	0	4	_aBF575 _b.P474 2014
049			_aNTA
100	1		_aCitron, Atay. _e1
245	1	0	_aPerformance Studies in Motion _bInternational Perspectives and Practices in the Twenty-First Century. _c
260			_aLondon : _bBloomsbury Publishing, _c(c)2014.
300			_a1 online resource (415 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
500			_aDescription based upon print version of record.
504			_a2
505	0	0	_aTitle Page; Copyright Page; Contents; Acknowledgements; List of Illustrations; Introduction; Motion I: Performance studies: Perspectives and prospectives; Motion II: Beyond experimental theatre; Motion III: Performance in/of social spaces; Motion IV: Into the political arena; Motion V: At war; Motion VI: Contemporary rituals: Challenges and changes; Motion VII: Applied performance studies: Therapy, activism and education; Motion VIII: Performance studies and life sciences; Motion I Performance Studies: Perspectives and Prospectives
505	0	0	_aChapter 1 Dionysus in 1966: The Force of Performative CircumstancesSymptom; Form and force; Performism; In quest for a Saussure of theatre?; The real thing; Conduction; Chapter 2 Performance Studies 3.0; Chapter 3 Can We Be the (New) Third World?; A PS for PS; Motion II Beyond Experimental Theatre; Chapter 4 Table on Stage: The Rise of the Messenger; Chapter 5 Performing History, Performing Memory with the Théâtre du Soleil; Chapter 6 Textual Dramaturgy and Dramaturg-as-Text: Traditional versus New Dramaturgy in the Era of German Post-Dramatic Theatre*; A note on terminology
505	0	0	_aFidelity to the source textFidelity to the dramaturg; 'Anti'-translation; Motion III Performance in/of Social Spaces; Chapter 7 Re: Location; Relocations: The history of Performance Art Platform; Re: Location: The Tel Aviv New Central Bus Station; Discipline and difference: The Second Law of Thermodynamics (2005); Community and creativity: Old Wives' Tales: Rise Woman and Make Us a Cake (2006); Relocation: Foreign Work (Avoda Zara): Siteseeing Performance (2012); Chapter 8 Critically Civic: Public Movement's Performative Activism; Ceremonial crisis: Also Thus!; Critically regulated: Emergency
505	0	0	_aCivic visions: Participatory actionsChapter 9 Rising from the Rubble: Creating the Museum of the History of Polish Jews; Motion IV Into the Political Arena; Chapter 10 The Impossible Disappearance of Belgium: Notes on Politics, Dramaturgy and Performance; Introduction; Political fiction; Political facts; Political theatricality; Belgian theatricality; Conclusions about Belgian political performativity; Chapter 11 National Street Theatre: Large-scale Performances in Poland after the Crash of the Presidential Plane; Act I: The performance of mourning; Act II: The game of the election campaign
505	0	0	_aAct III: The drama of the crossAct IV: The struggle for memory; Act V: The anniversary; Chapter 12 'Social Transformance': In Defence of Political Performance/Art; What is 'transformance'?; FLEISCHEREI -- _tA mission; The 'Theatre Reform' and the project On Axis as constructive response; Socio-theatrical experiments; Post-democracy, post-dramatics -- _tand its discontents; Motion V At War; Chapter 13 Beyond the Boundary of the Agora: The Hilltop Performance at the Western Front, 1915; Chapter 14 Dismantling Road Blocks: Non-Violent Resistance of the Palestinian-Israeli Group 'Combatants for Peace'
500			_aThrough direct action: The Shuffa performance
520	0		_aPerformance Studies in Motion offers multiple perspectives on the current field of performance studies and suggests its future directions. Featuring new essays by pioneers Richard Schechner and Barbara Kirshenblatt-Gimblett, and by international scholars and practitioners, it shows how performance can offer a new way of seeing the world, and testifies to the dynamism of this discipline. Beginning with an overview of the development of performance studies, the essays offer new insights into: contemporary experimental and postdramatic theatre; participatory performance and museum exhibitions; th.
530			_a2 _ub
650		0	_aPerforming arts.
655		1	_aElectronic Books.
700	1		_aAronson-Lehavi, Sharon.
700	1		_aZerbib, David.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=697299&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hBF. . _m2014 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c75368 _d75368
902			_a1 _bCynthia Snell _c1 _dCynthia Snell