000 | 04157cam a2200529Ki 4500 | ||
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001 | ocn606914337 | ||
003 | OCoLC | ||
005 | 20240726104709.0 | ||
008 | 100413s2007 enk ob 001 0 eng d | ||
040 |
_aOCLCE _beng _epn _erda _cOCLCE _dNT _dEBLCP _dOCLCQ _dE7B _dIDEBK _dOCLCQ _dSNK _dCOO _dOCLCQ _dCBT _dOCLCQ _dOCLCO _dOCLCQ _dOCLCF _dOCLCQ _dYDXCP _dOCLCQ _dAZK _dLOA _dAGLDB _dMERUC _dMOR _dPIFAG _dFVL _dZCU _dOCLCQ |
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016 | 7 |
_z013833676 _2Uk |
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020 |
_a9780754687139 _q((electronic)l(electronic)ctronic) |
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042 | _adlr | ||
043 |
_an-us--- _ae-uk-en |
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050 | 0 | 4 |
_aPS3563 _b.F655 2007 |
049 | _aMAIN | ||
100 | 1 |
_aFulmer, Jacqueline, _d1965- _e1 |
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245 | 1 | 0 | _aFolk women and indirection in Morrison, Ní Dhuibhne, Hurston, and Lavin /Jacqueline Fulmer. |
260 |
_aAldershot, England ; _aBurlington, VT : _bAshgate, _c(c)2007. |
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300 | _a1 online resource (vi, 207 pages) | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_tImpossible Stories for Impossible Conversations -- _tIntroduction -- _tParallel binaries, parallel subversions -- _tChapter overview -- _tRhetorical Indirection: Roots and Routes -- _tBack to the beginning -- _tIndirection in the context of previous criticism -- _tImpossible conversations made possible -- _tIndirection in folklore as an answer to censorship -- _tTerms of indirection in African American, Irish, and postcolonial writing -- _tHistorical parallels -- _tLoss of rights coinciding with suppression of language and culture -- _tObstacles to expression for African American and Irish women writers -- _tRediscovered gardens -- _tFolk Women versus the Authorities -- _tThrowing the binary back -- _tZora Neale Hurston: "He can read my writing but he sho' can't read my mind" -- _tMary Lavin: "Sly civility" from an Irish village -- _tCensorship, condescension, and the spleen of a saint -- _tFolk influences in Mary O'Grady -- _tMary battles the Otherworld -- _tMorrison's ancestors and a giggling witch -- _tÉilís Ní Dhuibhne : the wife, the witch, and the changeling -- _tFairy tales for a postmodern world -- _tHow to dump a goat -- _tUnmaking the world in The Bray house. |
505 | 0 | 0 |
_tSex advice from mermaids -- _tHurston's divine mermaid Erzulie -- _t"Cleweless" : Lavin's Onny defies convention -- _tNí Dhuibhne's pub Mermaid -- _t"The two shall be as one" : Morrison's seaside duo, Celestial and L -- _tFolk women with "ancient properties" -- _tAnti-Marys in Hurston and Lavin -- _tJenny as a younger wise woman and Virgin Mary figure in The Bray house -- _tParadise : Morrison's folk "Marys" -- _tNí Dhuibhne's midwife : delivering ambiguity -- _tMorrison's midwives : freedom from the binaries within midwives in Paradise and a fetus named "Che" -- |
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_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL |
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583 | 1 |
_adigitized _c2010 _hHathiTrust Digital Library _lcommitted to preserve _2pda _5MiAaHDL |
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600 | 1 | 0 |
_aMorrison, Toni _xCriticism and interpretation. |
600 | 1 | 0 |
_aNí Dhuibhne, Éilís, _d1954- _xCriticism and interpretation. |
600 | 1 | 0 |
_aHurston, Zora Neale _xCriticism and interpretation. |
600 | 1 | 0 |
_aLavin, Mary, _d1912-1996 _xCriticism and interpretation. |
650 | 0 |
_aWomen and literature _zUnited States _xHistory. |
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650 | 0 |
_aWomen and literature _zEngland _xHistory. |
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650 | 0 | _aLiterature and folklore. | |
650 | 0 |
_aNarration (Rhetoric) _xHistory. |
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650 | 0 | _aStereotypes (Social psychology) in literature. | |
650 | 0 | _aWomen in literature. | |
650 | 4 | _aMorrison, Toni. | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=269318&site=eds-live&custid=s3260518 |
942 |
_cOB _D _eEB _hPS. _m2007 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c75210 _d75210 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |