000 | 03613cam a2200469Mi 4500 | ||
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001 | ocn229923919 | ||
003 | OCoLC | ||
005 | 20240726104708.0 | ||
008 | 000321s2000 enka ob 001 0 eng d | ||
010 | _a00036636 | ||
040 |
_aAUD _beng _epn _erda _cAUD _dOCLCG _dOCLCQ _dNT _dYDXCP _dE7B _dUKTCC _dOCLCQ _dQE2 _dIDEBK _dOCLCQ _dMERUC _dOCLCQ _dOCLCF _dOCLCO _dTYFRS _dOCL _dOCLCE _dQCL _dOCLCQ _dOTZ _dOCLCQ _dCOCUF _dUAB _dYDX _dOCLCO _dU3W _dOCLCQ _dCEF _dOCLCQ _dLHU _dFVL _dBRX _dYOU _dCANPU |
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020 |
_a9780203977279 _q((electronic)l(electronic)ctronic) |
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020 | _a9780415208635 | ||
020 | _a6610138567 | ||
020 | _a9786610138562 | ||
042 | _adlr | ||
050 | 0 | 4 |
_aPN1995 _b.C564 2000 |
049 | _aMAIN | ||
245 | 1 | 0 | _aCinema and nation /edited by Mette Hjort and Scott MacKenzie. |
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_aLondon ; _aNew York : _bRoutledge, _c(c)2000. |
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_a1 online resource (xvi, 332 pages) : _billustrations |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_tThe sociological scope of 'national cinema' / _rPhilip Schlesinger -- _tFrank Capra meets John Doe : anti-politics in American national identity / _rCharles Lindholm, _rJohn A. Hall -- _tImages of the nation : cinema, art and national identity / _rAnthony Smith -- _tThe limiting imagination of national cinema / _rAndrew Higson -- _tNational cinema : a theoretical assessment / _rIan Jarvie -- _tFraming national cinemas / _rSusan Hayward -- _tThemes of nation / _rMette Hjort -- _tCinematic nation-building : Eisenstein's The old and the new / _rNoël Carroll, _rSally Banes -- _tThe nation vanishes : European co-productions and popular genre formulae in the 1950s and 1960s / _rTim Bergfelder -- _tThe new Scottish cinema / _rDuncan Petrie -- _tIndonesia : the movie / _rMartin Roberts -- _tNotes on Polish cinema, nationalism and Wajda's Holy week / _rPaul Coates -- _tDeep nation : the national question and Turkish cinema culture / _rKevin Robins, _rAsu Aksoy -- _tFragmenting the nation : images of terrorism in Indian popular cinema / _rSumita S. Chakravarty -- _tMimetic nationhood : ethnography and the national / _rScott MacKenzie -- _tFrom new German cinema to the post-wall cinema of consensus / _rEric Rentschler -- _tContemporary cinema : between cultural globalisation and national interpretation / _rUlf Hedetoft -- _tBirthing nations / _rJane M. Gaines. |
520 | 0 | _aCinema and Nation considers the ways in which film production and reception are shaped by ideas of national belonging and examines the implications of globalisation for the concept of national cinema. | |
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_a2 _ub |
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_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL |
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_adigitized _c2010 _hHathiTrust Digital Library _lcommitted to preserve _2pda _5MiAaHDL |
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650 | 0 | _aNational characteristics in motion pictures. | |
650 | 0 |
_aMotion picture industry _xGovernment policy. |
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650 | 0 |
_aMotion pictures _xPolitical aspects. |
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655 | 1 | _aElectronic Books. | |
700 | 1 | _aHjort, Mette. | |
700 | 1 |
_aMacKenzie, Scott, _d1967- |
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856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=139084&site=eds-live&custid=s3260518 |
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_cOB _D _eEB _hPN.. _m2000 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c75172 _d75172 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |