000 02825cam a2200337 i 4500
001 ocm29718789
003 OCoLC
005 20240726104701.0
008 820728s1980 nyu b 000 1 eng d
029 1 _aAU@
_b000013713911
040 _aHLS
_beng
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043 _ae-ur---
050 0 4 _aPG3326
_b.N684 1980
100 1 _aDostoyevsky, Fyodor,
_d1821-1881,
_e1
245 1 0 _aNotes from underground ;
_bWhite nights ; the dream of a ridiculous man and selections from the house of the dead /
_cDostoyevsky ; a new translation with an afterword by Andrew R. MacAndrew ; revised and updated bibliography.
260 _aNew York, New York :
_bSignet Classic,
_c(c)1961.
300 _a239 pages ;
_c18 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aSignet classic.
505 0 0 _aNotes from underground -- White nights -- The dream of a ridiculous man -- Selections from The house of the dead.
520 0 _aThe anonymous narrator of Notes from Underground is a bitter, misanthropic man living alone in St. Petersburg, Russia, in the 1860s. He is a veteran of the Russian civil service who has recently been able to retire because he has inherited some money. The novel consists of the "notes" that the man writes, a confused and often contradictory set of memoirs or confessions describing and explaining his alienation from modern society. Notes from Underground is divided into two sections. The first, "Underground," is shorter and set in the 1860s, when the Underground Man is forty years old. This section serves as an introduction to the character of the Underground Man, explaining his theories about his antagonistic position toward society. ... The second fragment of Notes from Underground, entitled "Apropos of the Wet Snow," describes specific events in the Underground Man�s life in the 1840s, when he was twenty-four years old. In a sense, this section serves as a practical illustration of the more abstract ideas the Underground Man sets forth in the first section. This second section reveals the narrator�s progression from his youthful perspective, influenced by Romanticism and ideals of "the beautiful and lofty," to his mature perspective in 1860, which is purely cynical about beauty, loftiness, and literariness in general. --
530 _a2
_uhttps://ciu.libwizard.com/f/copyright-requests
650 1 _aShort stories.
655 2 _aFictional Work
700 1 _aMacAndrew, Andrew R.
_d1911-2001,
_etrl
700 1 _q(Andrew Robert),
942 _n0
_QCC
_c1
_m1961
_dCynthia Snell
948 _hNO HOLDINGS IN SBI - 98 OTHER HOLDINGS
999 _c74853
_d74853
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell