000 | 03393cam a2200541 i 4500 | ||
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001 | ocn128237047 | ||
003 | OCoLC | ||
005 | 20240726104623.0 | ||
008 | 070507s2008 maua bq 001 0 eng | ||
010 | _a2007019134 | ||
040 |
_aDLC _beng _erda _cDLC _dBTCTA _dBAKER _dYDXCP _dBWKUK _dBWK _dMUQ _dNLGGC _dTSU _dTBS _dHEBIS _dOCLCQ _dDEBBG _dBDX _dOCLCO _dOCLCF _dOCLCQ _dSPW _dOCLCO _dOCLCQ _dS3O _dOCLCQ _dWSB _dSHS _dUEJ _dOCLCQ _dOCLCO _dDHA _dOCLCQ _dTYC _dUKMGB _dOCLCA _dUKUSW _dOCLCA _dOCLCQ _dCNCMU _dOCLCO |
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015 |
_aGBA773168 _2bnb |
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016 | 7 |
_a013888880 _2Uk |
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020 |
_a9781405144377 _q(((hardback)ardback)ardcov((electronic)l(electronic)ctronic)r ; |
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020 |
_a9781405144384 _q(((pa(print & electronic)rback)a((pa(print & electronic)rback)rint & (electronic)l(electronic)ctronic)rback)bk. ; |
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029 | 1 |
_aAU@ _b000042548580 |
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029 | 1 |
_aDEBBG _bBV023172385 |
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029 | 1 |
_aGEBAY _b10282416 |
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029 | 1 |
_aHEBIS _b195602188 |
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029 | 1 |
_aNLGGC _b305733362 |
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029 | 1 |
_aNZ1 _b11386291 |
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029 | 1 |
_aUNITY _b109479009 |
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029 | 1 |
_aUKMGB _b013888880 |
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049 | _aSBIM | ||
050 | 0 | 4 |
_aPN1995 _b.T446 2008 |
100 | 1 |
_aDeacy, Christopher, _e1 |
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245 | 1 | 0 |
_aTheology and film : _bchallenging the sacred/secular divide / _cChristopher Deacy, Gaye Williams Ortiz. |
260 |
_aMalden, Massachusetts ; _aOxford : _bBlackwell Publishing, _c(c)2008. |
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300 |
_axiv, 245 pages : _billustrations ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _a1 (pages 212-228) and index. | ||
504 | _aIncludes filmography. | ||
505 | 0 | 0 |
_tMethodological considerations -- _tTheology and film -- _tTheological perspectives and filmic themes -- _tWoman as spectacle : theological perspectives on women and film -- _tThe green screen : theological perspectives on the environment and film -- _tA time to kill? : theological perspectives on violence and film -- _tThe final verdict : theological perspectives on justice and film -- _tDark beauty : theological perspectives on war as cinematic mythology -- _tHeaven, hell and the sweet hereafter : theological perspectives on eschatology and film -- _tConclusion : theological perspectives on cinematic storytelling. |
520 | 0 | _a"This introductory textbook uses appreciation of film to explore debates between theology and contemporary culture. It examines both method and theory and features a range of film examples throughout"--Publisher description. | |
530 |
_a2 _ub |
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650 | 0 |
_aMotion pictures _xReligious aspects _xChristianity. |
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650 | 0 | 7 | _aFilm. |
700 | 1 |
_aOrtiz, Gaye Williams. _ejoint author. |
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856 | 4 | 1 |
_3Table of contents _uhttp://catdir.loc.gov/catdir/toc/ecip0717/2007019134.html |
856 | 4 | 1 |
_3Table of contents _uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016359042&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
856 | 4 | 1 |
_3Table of contents _uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016359042&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
856 | 4 | 2 |
_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/enhancements/fy0802/2007019134-b.html |
856 | 4 | 2 |
_3Publisher description _uhttp://catdir.loc.gov/catdir/enhancements/fy0802/2007019134-d.html |
942 |
_c1 _D _eAZ _hPN _i2021-2022 _m2008 _QCC _dCynthia Snell |
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994 |
_aC0 _bSBI |
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999 |
_c72962 _d72962 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |