000 | 01809cam a2200409 i 4500 | ||
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001 | ocm32311400 | ||
003 | OCoLC | ||
005 | 20240726104101.0 | ||
008 | 950320s1996 enka b 001 0 eng | ||
010 | _a95012281 | ||
016 | 7 |
_a9617209 _2DNLM |
|
020 | _a9780415046213 | ||
020 | _a9780415046220 | ||
040 |
_aDLC _beng _erda _cDLC _dNLM _dEL _dBAKER _dNLGGC _dBTCTA _dYDXCP _dOCLNG _dIAK _dGEBAY _dBDX _dSBI |
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049 | _aSBIM | ||
050 | 0 | 4 |
_aBF175 _b.E478 1996 |
050 | 0 | 4 | _aBF175 |
100 | 1 |
_aAdams, Parveen, _e1 |
|
245 | 1 | 0 |
_aThe emptiness of the image : _bpsychoanalysis and sexual differences / _cParveen Adams. |
260 |
_aLondon ; _aNew York : _bRoutledge, _c(c)1996. |
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300 |
_axi, 173 pages : _billistrations ; _c24 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _a1 (pages 166-169) and index. | ||
505 | 0 | 0 |
_aIntroduction -- _tSymptoms and hysteria -- _tPer (os)cillation -- _tOf female bondage -- _tWaiving the phallus -- _tThe truth on assault (with Mark Cousins) -- _tThe art of analysis: Mary Kelly's Interim and the discourse of the analyst -- _t'Father, can't you see I'm filming?' -- _tThe violence of paint -- _tThe three (dis)graces -- _tThe bald truth -- _tOperation Orlan. |
530 | _a2 | ||
650 | 0 | _aSex differences (Psychology) | |
650 | 0 | _aRepresentation (Psychoanalysis) | |
650 | 0 | _aWomen and psychoanalysis. | |
856 | 4 | 2 |
_3Publisher description _uhttp://catdir.loc.gov/catdir/enhancements/fy0648/95012281-d.html |
907 |
_a.b16895563 _b08-08-13 _c07-26-12 |
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942 |
_cBK _hBF _m1996 |
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998 |
_acim _b08-08-13 _cm _da _e- _feng _genk _h0 |
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994 |
_aC0 _bSBI |
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945 |
_g1 _i31923001823877 _j2 _lcimc _o- _p0.00 _q- _r- _s- -- _t61 _u0 _v0 _w0 _x0 _y.i19864917 _z07-26-12 |
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999 |
_c55444 _d55444 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |