000			02882pam a2200397 i 4500
001			ocm17261837
003			OCoLC
005			20240726103833.0
008			871130s1988 nyuacg b 011 0 eng
010			_a87032858 /MN
039	0	2	_aCI ocm17261837
040			_aDLC _beng _erda _cDLC _dSBI
049	0	2	_aSBIM
050	0	4	_aML55 _b.E975 1988
050	0	4	_aML55
245	1	0	_aExplorations in music, the arts, and ideas : _bessays in honor of Leonard B. Meyer / _cedited by Eugene Narmour and Ruth A. Solie.
260			_aStuyvesant, [New York] : _bPendragon Press, _c(c)1988.
300			_axiii, 473 pages : _billustrations, portrait, music ; _c24 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_a4..
504			_a"Writings by Leonard B. Meyer": pages 453-456.
505	0	0	_a-- _tIntroduction. -- _t _tBeethoven as secular humanist: ideology and the ninth symphony in nineteenth-century criticism _rRuth A. Solie -- _tWriting about influences: Idomeneo, a case study _rJohn Platoff -- _tScylla and Charybdis, or steering between form and social context in the seventeenth century _rMargaret Murata -- _tToward a deconstruction of structural listening: a critique of Schoenberg, Adorno, and Stravinsky _rRose Rosengard Subotnik. -- _t _tMasters and servants: theory in the literary academy _rBarbara Hernstein Smith -- _tMusic perception, music theory, and psychology _rBurton S. Rosner -- _tWhat trecento music theory tells us _rJan Herlinger. -- _tIII: -- _tConcrete musical knowledge and a computer program for species counterpoint _rRobert O. Gjerdingen -- _tMelody and the Markoff-Chain model: a gregorian hymn repertory _rFrank Tirro -- _tPitch class and perceived height: some paradoxes and their implications _rDiana Deutsch -- _tAffective design in Schubert's Moment musical opus 94 numbers 6 _rjohn Chesnut -- _tOn the relationship of analytical theory to performance and interpretation _rEugene Narmour. -- _t _tAspects of musical space _rPatricia Carpenter -- _tTonality in a new key _rJames C. Kidd -- _tWhen a coda is more than a coda: reflections on Beethoven _rRobert G. Hopkins -- _tCompatibility, coherence, and closure in Brahm's Liebeslieder Waltzes _rDavid Brodbeck. -- _tAbout Leonard B. Meyer: a biographical vignette _rJanet M. Levy -- _tWritings by Leonard B. Meyer.
530			_a2
600	1	0	_aMeyer, Leonard B.
650		0	_aMusic _xHistory and criticism.
650		0	_aMusic theory.
650		0	_aArts.
700	1		_aNarmour, Eugene, _d1939-
700	1		_aSolie, Ruth A.
907			_a.b10655013 _b07-07-14 _c01-22-08
942			_cBK _hML _m1988 _e _i2018-07-14 _k0.00
998			_acim _b05-26-09 _cm _da _e- _feng _gnyu _h0
945			_g1 _i31923000706362 _j2 _lcimc _n"repair" status after fire _o- _p0.00 _q- _r- _s- -- _t61 _u0 _v0 _w0 _x0 _y.i10968519 _z01-22-08
999			_c46293 _d46293
902			_a1 _bCynthia Snell _c1 _dCynthia Snell