000 | 01934pam a2200337 i 4500 | ||
---|---|---|---|
001 | ocm21563587 | ||
005 | 20240726103755.0 | ||
008 | 900504r19901909nyuag b 00000 eng | ||
010 | _a90003541 | ||
039 | 0 | 2 | _aCI ocm21563587 |
040 |
_aDLC _beng _erda _cDLC _dSBI |
||
049 | 0 | 2 | _aSBIM |
050 | 0 | 4 |
_aML3799 _b.C767 1990 |
050 | 0 | 4 | _aML3799 |
245 | 1 | 0 | _aCross-cultural musical analysis /edited by Kay Kaufman Shelemay. |
260 |
_aNew York : _bGarland, _c(c)1990. |
||
300 |
_a362 pages : _billustrations ; _c27 cm. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
500 | _aReprint of essays originally published in various sources 1909-1980. | ||
505 | 0 | 0 |
_aScale formation in primitive music _rFrances Densmore -- _tA study of folk song variants based on field work in Jamaica _rHelen H. Roberts -- _tThe Yuman musical style _rGeorge Herzog -- _tThe pattern phenomenon in primitive music _rHelen H. Roberts -- _tThe morphology of the ballad-tunes _rBertrand H. Bronson -- _tStatistical classification in anthropology : an application to ethnomusicology _rLinton C. Freeman and Alan P. Merriam -- _tClassification of tonal structures _rMieczyslaw Kolinski -- _tThe boundaries of speech and song _rGeorge List -- _tMethod and theory in analyzing dance structure with an analysis of Tongan dance _rAdrienne L. Kaeppler -- _tAnalysis : the herding of sacred cows? / Marcia Herndon -- _tLanguage models and musical analysis _rHarold S. Powers. |
504 | _a1 | ||
530 | _a2 | ||
650 | 0 | _aMusical analysis. | |
700 | 1 | _aShelemay, Kay Kaufman. | |
907 |
_a.b10748349 _b01-23-14 _c01-22-08 |
||
942 |
_cBK _hML _m1990 _e _i2018-07-14 _k0.00 |
||
998 |
_acim _b05-26-09 _cm _da _e- _feng _gnyu _h0 |
||
945 |
_g1 _i31923000771382 _j2 _lcimc _n"repair" status after fire _o- _p0.00 _q- _r- _s- -- _t61 _u0 _v0 _w0 _x0 _y.i11082835 _z01-22-08 |
||
999 |
_c44099 _d44099 |
||
902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |