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008 920506s1992 enkag b 001 0 eng
010 _a92156441 /MN
015 _aGB91-20118
039 0 2 _aCI ocm28588005
040 _aDLC
_beng
_erda
_cDLC
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_dXIM
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049 0 2 _aSBIM
_c1
_v1-2
050 0 4 _aML55.P346.C667 1992
245 0 0 _aCompanion to contemporary musical thought /
_cedited by John Paynter ... [and others.
_hPR
260 _aLondon ;
_aNew York :
_bRoutledge,
_c(c)1992.
300 _a2 volume (xxxviii, 1208 pages) :
_billustrations, music ;
_c24 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _a2
505 0 0 _aVolume 1. Music, the modern world, and the burden of history
_rWilfrid Mellers --
_tPart I : People and music. Music and people : the import of structure and form
_rJohn Paynter --
_tMusic, non-music and the soundscape
_rR. Murray Schafer --
_tMusic in concert and music in the background : two poles of musical realization
_rHanns-Werner Heister --
_tPublic performance and the concert as categories of musical action
_rImgard Bontinck --
_tWhat makes music musical? / Keith Swanwick --
_tThe action value of musical experience and learning
_rThomas A. Regelski --
_tMusic as cultural text
_rJohn Shepherd --
_tMusic and the arts in pre-Renaissance and Renaissance worship : a question of "expression" / Peter Le Huray --
_tHandel's ghost : the composer's posthumous reputation in the eighteenth century
_rEllen T. Harris --
_tOn patronage : "Musick, that mind-tempering art" / Anthony Rooley --
_tCloverleaf : a little narrative with several "off-ramps" / Lou Harrison --
_tSpeculative music : the numbers behind the notes
_rJoscelyn Godwin --
_tText, context, music
_rIstvan Anhalt --
_tOn making music out of music
_rEdwin London --
_tVerso-l'uno
_rWalter Branchi.
505 0 0 _aPart II : The technology of music. Musical, cultural and educational implications of digital technology
_rRichard Orton --
_tA technological approach to music
_rF. Richard Moore --
_tTowards a new age in the technology of computer music
_rPeter Manning --
_tElectroacoustic music and the soundscape : the inner and outer world
_rBarry Truax --
_tComposition with machines
_rCurtis Roads --
_tArtistic necessity, context orientation, configurable space
_rCraig R. Harris --
_tFlying through a musical space : about real-time composition
_rJoel Chadabe --
_tMusic and image on film and video : an absolute alternative
_rDavid Kershaw --
_tNew musical instruments in the computer age : amplified performance systems and related examples of low-level technology
_rHugh Davies --
_tThe listening imagination : listening in the electroacoustic era
_rDenis Smalley --
_tComposers and audiences : new relationships in the technological age
_rBruce Pennycook --
_tMusic and technology : problems and possibilities
_rTrevor Wishart --
_tComposing sounds with computers
_rJean-Claude Risset.
505 0 0 _aVolume 2. Part III : The structure of music. Does it really mean anything? Some aspects of musical meaning
_rLorentz Reitan --
_tMusical analysis : commentaries
_rJonathan Dunsby --
_tAnalysis and psychoanalysis : Wagner's musical metaphors
_rChristopher Wintle --
_tAnalysis and performance : the search for a middleground
_rTim Howell --
_tAnalysis and the computer
_rRobert Sherlaw-Johnson --
_tNew directions : the conception and development of a composition
_rJonathan Harvey --
_tMorty Feldman is dead
_rJames Fulkerson --
_tFrom improvisation to composition
_rRichard Orton --
_tImprovisation
_rNeil Sorrell --
_tImprovisation, cognition and education
_rEric F. Clarke --
_tPsychological structures in music : core research 1980-1990
_rJohn A. Sloboda --
_tAural training : material and method
_rGeorge Pratt --
_tAspects of melody : an examination of the structure of Jewish and Gregorian chants
_rYehezkel Braun --
_tMusic, number and rhetoric in the early Middle Ages
_rJohn Stevens.
505 0 0 _aPart IV : The interpretation of music. Oratory and performance
_rPeter Seymour --
_tPresent and past : intermediaries and interpreters
_rWilfrid Mellers --
_tPerformance practice studies : some current approaches to the Early Music phenomenon
_rPeter Williams --
_tRenaissance attitudes to performance : a contemporary application
_rAnthony Rooley --
_tMusical instruments and performers of the past
_rFrancis Baines --
_tPst ... Pst ... are you listening? Hearing voices from yesterday
_rIstvan Anhalt --
_tHistorical approaches to violin playing
_rDuncan Druce --
_tVocal consort style and tunings
_rRogers Covey-Crump --
_tAuthentic pronunciation for Early Music
_rAlison Wray --
_tLiturgical reconstructions : an apologia and some guidelines
_rGraham Dixon -- "Anthemes for Versus and Chorus ... apt for Viols and Voyces" : the development of the English consort anthem, with some approaches to performance practice
_rJohn Bryan -- "An Addicion of Wyer Stringes beside the Ordenary Stringes" : the origin of the baryton
_rPeter Holman --
_tProducer for Early Music : a cog in the mechanism of musical life
_rKlaus L. Neumann --
_tLutoslawski and a view of musical perspective
_rPhilip Wilby.
530 _a2
650 0 _aMusic
_xHistory and criticism.
650 0 _aMusic
_xPhilosophy and aesthetics.
700 1 _aPaynter, John.
907 _a.b10841271
_b11-19-14
_c01-22-08
942 _cBK
_hML
_m1992
998 _acim
_b05-26-09
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_dCynthia Snell