000 | 01940cam a2200397 i 4500 | ||
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001 | ocm35174717 | ||
003 | OCoLC | ||
005 | 20240726102153.0 | ||
008 | 960723r19961989ilua b 001 0 eng | ||
010 | _a96017957 /MN | ||
015 | _aGBA0-03210 | ||
039 | 0 | 2 | _aCI ocm35174717 |
040 |
_aDLC _beng _erda _cDLC _dCSJ _dUKM _dSBI |
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049 | 0 | 2 | _aSBIM |
050 | 0 | 4 | _aML430.M612.S795 1996 |
100 | 1 |
_aMeyer, Leonard B, _e1 |
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245 | 1 | 0 |
_aStyle and music : _btheory, history, and ideology / _cLeonard B. Meyer. _hPR |
250 | _aUniversity of Chicago Press edition. | ||
260 |
_aChicago : _bUniversity of Chicago Press, _c(c)1996. |
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300 |
_axi, 376 pages : _billustrations ; _c23 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aOriginally published: Philadelphia : University of Pennsylvania Press, 1989. (Studies in the criticism and theory of music). | ||
504 | _a1 (pages 353.-364) and indexes. | ||
505 | 0 | 0 |
_aPart I: Theory. 1. Toward a theory of style ; 2. Style analysis -- _tPart II: History, innovation, and choice. 3. Thoughts about history ; 4. Innovation--reasons and sources ; 5. Choice and replication -- _tPart III: Music and ideology: a sketch-history of nineteenth-century music. 6. Romanticism--The ideology of elite egalitarians ; 7. Convention disguised--nature affirmed ; 8. Syntax, form, and unity -- _tEpilogue: The persistence of romanticism. |
530 | _a2 | ||
650 | 0 |
_aMusic _y19th century _xPhilosophy and aesthetics. |
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650 | 0 | _aRomanticism in music. | |
830 | 0 | _aStudies in the criticism and theory of music. | |
907 |
_a.b1092825x _b05-26-09 _c01-22-08 |
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942 |
_cBK _hML _m1996 |
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998 |
_acim _b05-26-09 _cm _da _e- _feng _gilu _h0 |
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994 |
_a01 _bSBI |
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945 |
_g1 _i31923000966289 _j2 _lcimc _n"repair" status after fire _o- _p0.00 _q- _r- _s- -- _t61 _u0 _v0 _w0 _x0 _y.i11333637 _z01-22-08 |
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999 |
_c37850 _d37850 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |