000 03488cam a2200445 i 4500
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003 OCoLC
005 20240726102129.0
008 050823s2006 njua b 001 0 eng
010 _a2005024638
020 _a9780813538297
020 _a9780813538303
039 0 2 _aCI ocm61362144
040 _aDLC
_beng
_erda
_cDLC
_dBAKER
_dC#P
_dYDXCP
_dOCLCQ
_dSBI
042 _apcc
049 0 2 _aSBIM
050 0 4 _aJZ5588.P497.R484 2006
245 0 0 _aRethinking global security :
_bmedia, popular culture, and the "War on terror" /
_cedited by Andrew Martin and Patrice Petro.
_hPR
260 _aNew Brunswick, New Jersey :
_bRutgers University Press,
_c(c)2006.
300 _ax, 246 pages :
_billustrations ;
_c24 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _aDesigned to promote strategic thinking about relationships between media, popular culture, and global security.
504 _a2
505 0 0 _aIntroduction
_rPatrice Petro and Andrew Martin --
_tFuture-war storytelling : national security and popular film
_rDoug Davis --
_tVisions of security : impermeable borders, impassable walls, impossible home/lands? / Mary N. Layoun --
_tThe origins of the danger market
_rMarcus Bullock --
_tCold War redux
_rRobert Ricigliano and Mike Allen --
_tPopular culture and narratives of insecurity
_rAndrew Martin --
_tFearful thoughts : U.S. television post 9/11 and the wars in Iraq
_rPatricia Mellencamp --
_tPlanet patrol : satellite imaging, acts of knowledge, and global security
_rLisa Parks --
_tIntermedia and the War on Terror
_rJames Castonguay --
_tRemapping the visual war on terrorism : "U.S. internationalism" and transnational citizenship
_rWendy Kozol and Rebecca DeCola --
_tPicturing torture : Gulf wars past and present
_rTony Grajeda.
520 0 _aAnalysts today routinely look toward the media and popular culture as a way of understanding global security. Although only a decade ago, such a focus would have seemed out of place, the proliferation of digital technologies in the twenty-first century has transformed our knowledge of near and distant events so that it has become impossible to separate politics of war, suffering, terrorism, and security from the practices and processes of the media. This book brings together ten path-breaking essays that explore the ways our notions of fear, insecurity, and danger are fostered by intermediary sources such as television, radio, film, satellite imaging, and the internet. The contributors, from a wide range of disciplines, show both fictional and fact-based threats to global security have helped to create and sustain a culture that is deeply distrustful. Topics range from the Patriot Act, to the censorship of media personalities, to the role that television programming plays as an interpretative frame for current events --
530 _a2
650 0 _aSecurity, International.
650 0 _aTerrorism and mass media.
650 0 _aPopular culture.
700 1 _aMartin, Andrew,
_d1946-
700 1 _aPetro, Patrice,
_d1957-
856 4 1 _zTable of contents
_uhttp://www.loc.gov/catdir/toc/ecip0518/2005024638.html
907 _a.b11145560
_b05-28-15
_c01-22-08
942 _cBK
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_m2006
998 _acim
_b05-27-09
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999 _c36425
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902 _a1
_bCynthia Snell
_c1
_dCynthia Snell