000 | 03488cam a2200445 i 4500 | ||
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001 | ocm61362144 | ||
003 | OCoLC | ||
005 | 20240726102129.0 | ||
008 | 050823s2006 njua b 001 0 eng | ||
010 | _a2005024638 | ||
020 | _a9780813538297 | ||
020 | _a9780813538303 | ||
039 | 0 | 2 | _aCI ocm61362144 |
040 |
_aDLC _beng _erda _cDLC _dBAKER _dC#P _dYDXCP _dOCLCQ _dSBI |
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042 | _apcc | ||
049 | 0 | 2 | _aSBIM |
050 | 0 | 4 | _aJZ5588.P497.R484 2006 |
245 | 0 | 0 |
_aRethinking global security : _bmedia, popular culture, and the "War on terror" / _cedited by Andrew Martin and Patrice Petro. _hPR |
260 |
_aNew Brunswick, New Jersey : _bRutgers University Press, _c(c)2006. |
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300 |
_ax, 246 pages : _billustrations ; _c24 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aDesigned to promote strategic thinking about relationships between media, popular culture, and global security. | ||
504 | _a2 | ||
505 | 0 | 0 |
_aIntroduction _rPatrice Petro and Andrew Martin -- _tFuture-war storytelling : national security and popular film _rDoug Davis -- _tVisions of security : impermeable borders, impassable walls, impossible home/lands? / Mary N. Layoun -- _tThe origins of the danger market _rMarcus Bullock -- _tCold War redux _rRobert Ricigliano and Mike Allen -- _tPopular culture and narratives of insecurity _rAndrew Martin -- _tFearful thoughts : U.S. television post 9/11 and the wars in Iraq _rPatricia Mellencamp -- _tPlanet patrol : satellite imaging, acts of knowledge, and global security _rLisa Parks -- _tIntermedia and the War on Terror _rJames Castonguay -- _tRemapping the visual war on terrorism : "U.S. internationalism" and transnational citizenship _rWendy Kozol and Rebecca DeCola -- _tPicturing torture : Gulf wars past and present _rTony Grajeda. |
520 | 0 | _aAnalysts today routinely look toward the media and popular culture as a way of understanding global security. Although only a decade ago, such a focus would have seemed out of place, the proliferation of digital technologies in the twenty-first century has transformed our knowledge of near and distant events so that it has become impossible to separate politics of war, suffering, terrorism, and security from the practices and processes of the media. This book brings together ten path-breaking essays that explore the ways our notions of fear, insecurity, and danger are fostered by intermediary sources such as television, radio, film, satellite imaging, and the internet. The contributors, from a wide range of disciplines, show both fictional and fact-based threats to global security have helped to create and sustain a culture that is deeply distrustful. Topics range from the Patriot Act, to the censorship of media personalities, to the role that television programming plays as an interpretative frame for current events -- | |
530 | _a2 | ||
650 | 0 | _aSecurity, International. | |
650 | 0 | _aTerrorism and mass media. | |
650 | 0 | _aPopular culture. | |
700 | 1 |
_aMartin, Andrew, _d1946- |
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700 | 1 |
_aPetro, Patrice, _d1957- |
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856 | 4 | 1 |
_zTable of contents _uhttp://www.loc.gov/catdir/toc/ecip0518/2005024638.html |
907 |
_a.b11145560 _b05-28-15 _c01-22-08 |
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_cBK _hJZ _m2006 |
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_a02 _bSBI |
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_g1 _i31923001121215 _j2 _lcimc _nUpdated to RDA - cs _o- _p0.00 _q- _r- _s- -- _t61 _u0 _v0 _w0 _x0 _y.i17511033 _z02-08-08 |
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_c36425 _d36425 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |