000 02212cam a2200361 i 4500
001 ocn650827374
003 OCoLC
005 20240726102049.0
008 100727s2011 cau b 001 0 eng
010 _a2010030136
020 _a9781587656910
040 _aDLC
_beng
_erda
_cDLC
_dYDX
_dYYP
_dYDXCP
_dSGB
_dSBI
049 _aSBIM
050 0 4 _aPR4588.G652.C437 2011
245 0 0 _aCharles Dickens /
_ceditor, Eugene Goodheart.
_hPR
260 _aPasadena, California :
_bSalem Press,
_c(c)2011.
300 _aix, 290 pages ;
_c24 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aCritical insights
504 _a2
505 0 0 _tOn Charles Dickens
_rEugene Goodheart --
_tBiography of Charles Dickens
_rPpatricia Marks --
_tThe Paris Review perspective
_rElizabeth Gumport for The Paris Review --
_tCharles Dickens in his times
_rShanyn Fiske --
_tCharles Dickens's critical reputation
_rLaurence W. Mazzeno --
_tOrder in disorder: surrealism and Oliver Twist
_rNancy M. West --
_tAnother version of pastoral: Oliver Twist
_rJoseph M. Duffy, Jr. --
_tMourning becomes David: loss and the Victorian restoration of young Copperfield
_rAlan P. Barr --
_tEccentricity as Englishness in David Copperfield
_rJulie F. Saville --
_tExpectations well lost: dickens' fable for his time
_rG. Robert Stange --
_tThe sense of self
_rMonroe Engel --
_tStructure and idea in Bleak house
_rRobert A. Donovan --
_t"True legitimacy": the myth of the foundling in Bleak house
_rMichele S. Ware --
_tHard times and the structure of industrialism: the novel as factory
_rPatricia E. Johnson --
_tLittle Dorrit
_rLionel Trilling --
_tCharles Dickens, James Joyce, and the origins of modernism
_rMatthew J. Bolton.
530 _a2
600 1 0 _aDickens, Charles,
_d1812-1870
_xCriticism and interpretation.
700 1 _aGoodheart, Eugene.
700 1 _4edt
830 0 _aCritical insights.
907 _a.b15944165
_b01-04-12
_c02-07-11
942 _cBK
_hPR
_m2011
_2ddc
_w105.00
945 _g1
_i31923001434022
_j2
_lcimc
_o-
_p0.00
_q-
_r-
_s- --
_t61
_u1
_v0
_w1
_x0
_y.i18747966
_z02-07-11
998 _b01-04-12
_cm
_da
999 _c34173
_d34173
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell