000 | 03244cam a2200457 i 4500 | ||
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001 | ocm30436582 | ||
003 | OCoLC | ||
005 | 20240726102034.0 | ||
008 | 940419s1994 enk b 001 0 eng | ||
010 | _a94011552 | ||
015 | _aGB95-15980 | ||
020 | _a9780521460453 | ||
020 | _a9780521465984 | ||
040 |
_aDLC _beng _erda _cDLC _dUKM _dCNU _dAUT _dBAKER _dNLGGC _dBTCTA _dYDXCP _dLVB _dCFT _dAU@ _dLMR _dUAB _dZWZ _dGEBAY _dOCLCQ |
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043 | _au-at--- | ||
049 | _aSBIM | ||
050 | 0 | 4 | _aNX456.D637.P678 1994 |
100 | 1 |
_aDocker, John, _e1 |
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245 | 1 | 0 |
_aPostmodernism and popular culture : _ba cultural history / _cJohn Docker. _hPR |
260 |
_aCambridge ; _aNew York : _bCambridge University Press, _c(c)1994. |
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300 |
_axxi, 313 pages ; _c24 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _a1 (pages 285-306) and index. | ||
505 | 0 | 0 |
_aArchitectural modernism: Le Corbusier -- _tLiterary modernism -- _tModernism versus popular literature -- _tThe Frankfurt school versus Walter Benjamin -- _tFlowering of an orthodoxy -- _tMyths of origin: 1970s screen theory and literary history -- _tArchitectural postmodernism: learning from Las Vegas -- _tFrom Las Vegas to Sydney -- _tAre we living in a postmodern age? -- Mapping Frederic Jameson's grand narrative -- _tFrom structuralism to poststructuralism -- _tCultural studies: transitional moments from modernism to postmodernism -- _tBakhtin's carnival -- _tDilemmas of world upside down. |
505 | 0 | 0 |
_aFools: carnival-theatre-vaudeville-television -- _tFool, trickster, social explorer: the detective -- _tCrime fiction as changing genre -- _tMelodrama, farce, soap opera -- _tMelodrama in action: prisoner, or cell block H (with Ann Curthoys). |
520 | 0 | _aIn this provocative and timely book, John Docker takes his readers on an intellectual adventure. It is a journey that includes an introductory guided tour of the history of modernism, consideration of the development of postmodernism, explanation of the difference between structuralism and poststructuralism and discussion of the debates and conflicts around each. The book engages, in a stimulating and illuminating way, with some of the most important academic debates of our time. It combines polemical force with intellectual rigour, reclaiming popular culture from the forces opposed to it. Postmodernism and Popular Culture examines the attitudes of advocates of modernism and postmodernism, and many allied with the left, to popular culture, and is a detailed and thoughtful analysis of the nature of popular culture itself. | |
530 | _a2 | ||
650 | 0 | _aModernism (Art) | |
650 | 0 | _aPostmodernism. | |
650 | 0 |
_aArts, Modern _y20th century. |
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650 | 0 | _aPopular culture. | |
856 | 4 | 2 |
_zPublisher description _uhttp://catdir.loc.gov/catdir/description/cam026/94011552.html |
856 | 4 | 1 |
_zTable of contents _uhttp://catdir.loc.gov/catdir/toc/cam025/94011552.html |
907 |
_a.b10866668 _b08-16-12 _c01-22-08 |
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942 |
_cBK _hNX _m1994 |
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998 |
_acim _b06-08-11 _cm _da _e- _feng _genk _h0 |
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994 |
_aC0 _bSBI |
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945 |
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_c33316 _d33316 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |