000 | 01769cam a2200373 i 4500 | ||
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001 | ocm49619008 | ||
003 | OCoLC | ||
005 | 20240726102026.0 | ||
008 | 020415s2002 nyu b 001 0 eng | ||
010 | _a2002005803 | ||
020 | _a9780826414182 | ||
020 | _a9780826414199 | ||
040 |
_aDLC _beng _erda _cDLC _dBAKER _dNLGGC _dBTCTA _dYDXCP _dP4I _dGEBAY |
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043 | _an-us--- | ||
049 | _aSBIM | ||
050 | 0 | 4 | _aPN6725 |
050 | 0 | 4 | _aPN6725.K66.H698 2002 |
100 | 1 |
_aKlock, Geoff, _e1 |
|
245 | 1 | 0 |
_aHow to read superhero comics and why / _cGeoff Klock. _hPR |
260 |
_aNew York : _bContinuum, _c(c)2002. |
||
300 |
_avii, 204 pages ; _c24 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _a1 (pages 183-198) and index. | ||
505 | 0 | 0 |
_aMelancholy and the infinite earths -- _tThe bat and the watchmen: introducing the revisionary superhero narrative -- _t"It is with considerable difficulty...": the revisionary superhero narrative, phase two -- _tAmerica's best comics: tracing the (re)visionary company -- _tPumping up the volume: the revisionary superhero narrative approaches the new age -- _tThe superhero as critic: the birth of the modern age -- _tEpilogue: pop comics, Harold Bloom at Harvard, and the Oedipal fallacy -- _tA frequently asked question: Unbreakable. |
530 | _a2 | ||
650 | 0 |
_aComic books, strips, etc. _zUnited States _xHistory and criticism. |
|
907 |
_a.b1104150x _b08-16-12 _c01-22-08 |
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942 |
_cBK _hPN _m2002 _e _i2018-07-14 _k0.00 |
||
998 |
_acim _b06-16-11 _cm _da _e- _feng _gnyu _h0 |
||
994 |
_aC0 _bSBI |
||
945 |
_g1 _i31923001527999 _j2 _lcimc _o- _p0.00 _q- _r- _s- -- _t61 _u0 _v0 _w0 _x0 _y.i18824614 _z06-16-11 |
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999 |
_c32818 _d32818 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |