000 | 02068cam a2200433 i 4500 | ||
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001 | ocm14818920 | ||
003 | OCoLC | ||
005 | 20240726100509.0 | ||
008 | 861105s1987 maua b 001 0 eng | ||
010 | _a86029486 | ||
020 | _a9780805779523 | ||
020 | _a9780805780048 | ||
040 |
_aDLC _beng _erda _cDLC _dXY4 _dBTCTA _dYDXCP _dBAKER _dOCLCG _dHAC _dDEBBG _dT7B _dSBI |
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049 | _aSBIM | ||
050 | 0 | 4 | _aPR1874.W722.C368 1987 |
050 | 0 | 4 | _aPR1874 |
100 | 1 |
_aWilliams, David _q(David Eliot), _d1939-, _e1 |
|
245 | 1 | 4 |
_aThe Canterbury Tales : _ba literary pilgrimage / _cDavid Williams. _hPR |
260 |
_aBoston : _bTwayne, _c(c)1987. |
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300 |
_ax, 115 pages : _billustrations ; _c23 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 |
_aTwayne's masterwork studies ; _vno. 4 |
|
504 | _aBibliography: pages 109-112. | ||
504 | _a4.. | ||
505 | 0 | 0 |
_a1. Historical context. The fourteenth century ; The intellectual milieu -- _t2. The Canterbury tales and the tradition of English literature. The importance of the work ; Critical reception -- _t3. The philosophical debate -- _t4. Finding the audience -- _t5. The general prologue -- _t6. Language redeemed. The miller's tale ; The wife of Bath's tale ; The pardoner's tale ; The nun's priest's tale -- _t7. Conclusion. |
520 | 0 | _aUnravels the complex interplay of the realistic, the grotesque, and the sublime, and discusses the multiplicity of meanings held within narrative and poetic forms. | |
530 | _a2 | ||
650 | 0 |
_aTales, Medieval _xHistory and criticism. |
|
650 | 0 | _aPhilosophy, Medieval, in literature. | |
650 | 0 | _aNominalism in literature. | |
830 | 0 |
_aTwayne's masterwork studies ; _vno. 4. |
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907 |
_a.b10614394 _b08-09-13 _c01-22-08 |
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942 |
_cBK _hPR _m1987 _e _i2018-07-15 _k0.00 |
||
998 |
_acim _b12-13-11 _cm _da _e- _feng _gmau _h4 |
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994 |
_aC0 _bSBI |
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945 |
_g1 _i31923001673397 _j2 _lcimc _o- _p0.00 _q- _r- _s- -- _t61 _u1 _v0 _w1 _x0 _y.i19030563 _z12-13-11 |
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999 |
_c22778 _d22778 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |