000 02019cam a2200373 i 4500
001 ocn421150141
003 OCoLC
005 20240726100446.0
008 090626s2010 cau b 001 0 eng
010 _a2009026434
020 _a9781587656064
040 _aDLC
_beng
_erda
_cDLC
_dYDX
_dVP@
_dOKS
_dBTCTA
_dSBM
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049 _aSBIM
050 0 4 _aPS3509.R594.T745 2010
050 0 4 _aPS3509
245 0 0 _aT.S. Eliot /
_ceditor, John Paul Riquelme.
_hPR
260 _aPasadena, California :
_bSalem Press,
_c(c)2010.
300 _aviii, 346 pages ;
_c24 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aCritical insights
504 _a2
505 0 0 _tOn T. S. Eliot
_rJohn Paul Riquelme --
_tBiography of T. S. Eliot
_rR. Baird Shuman --
_tParis review perspective
_rGemma Sieff --
_tCultural contexts
_rNeil Heims --
_tCritical reception and influence
_rJohn Paul Riquelme --
_tT. S. Eliot and Robert Browning's dramatic monologues
_rMatthew J. Bolton --
_tVoices and language in T. S. Eliot's The waste land
_rAllan Johnson --
_t"Poetry as poetry"
_rLouis Menand --
_tPlaying at relationship
_rJohn T. Mayer --
_t"Prufrock," "Gerontion," and fragmented monologues
_rJohn Paul Riquelme --
_t"Unknown terror and mystery": The waste land
_rRonald Bush --
_tworld within the world': Ash-Wednesday and the 'Ariel poems'
_rNancy K. Gish --
_tsoul's mysterious errand
_rLee Oser --
_tFear in the way: the design of Eliot's drama
_rMichael Goldman.
530 _a2
600 1 0 _aEliot, T. S.
_q(Thomas Stearns),
_d1888-1965
_xCriticism and interpretation.
700 1 _aRiquelme, John Paul.
830 0 _aCritical insights.
907 _a.b16096940
_b08-08-13
_c01-11-12
942 _cBK
_hPS
_m2010
_e
_i2018-07-15
_k0.00
998 _acim
_b08-08-13
_cm
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_feng
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_x0
_y.i19043065
_z01-11-12
999 _c21286
_d21286
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell