000 | 01751cam a2200433 i 4500 | ||
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001 | ocm60742167 | ||
003 | OCoLC | ||
005 | 20240726100410.0 | ||
008 | 050620s2007 nyu b 000 0 eng | ||
010 | _a2005050881 | ||
020 | _a9780195301168 | ||
035 | _a(OCoLC)60742167 | ||
040 |
_aDLC _beng _erda _cDLC _dBAKER _dC#P _dNLGGC _dBTCTA _dLVB _dYDXCP _dP4A _dYUS _dOCLCQ _dSBI |
||
042 | _apcc | ||
043 | _an-us--- | ||
049 | _aSBIM | ||
050 | 0 | 4 | _aPN1992.N537.T454 2007 |
050 | 0 | 4 | _aPN1992 |
245 | 0 | 0 |
_aTelevision : _bthe critical view / _cedited by Horace Newcomb. _hPR |
250 | _aseventh edition.ition. | ||
260 |
_aNew York : _bOxford University Press, _c(c)2007. |
||
300 |
_axiii, 671 pages ; _c24 cm. |
||
336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _a1 | ||
505 | 0 | 0 |
_tHistory -- _tThe production contexts -- _tThe programming context -- _tAudiences, viewers, users -- _tConsidering television. |
530 | _a2 | ||
650 | 0 |
_aTelevision broadcasting _zUnited States. |
|
700 | 1 | _aNewcomb, Horace. | |
856 | 4 | 1 |
_3Table of contents _uhttp://catdir.loc.gov/catdir/enhancements/fy0638/2005050881-t.html |
856 | 4 | 2 |
_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/enhancements/fy0725/2005050881-b.html |
856 | 4 | 2 |
_3Publisher description _uhttp://catdir.loc.gov/catdir/enhancements/fy0638/2005050881-d.html |
907 |
_a.b15938402 _b10-02-12 _c01-19-11 |
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942 |
_cBK _hPN _m2007 _e _i2018-07-15 _k0.00 |
||
998 |
_acim _ang _b10-01-12 _cm _da _e- _feng _gnyu _h0 |
||
994 |
_aC0 _bSBI |
||
945 |
_g1 _i31923001445515 _j2 _lcimc _o- _p0.00 _q- _r- _s- -- _t61 _u0 _v0 _w0 _x0 _y.i19896359 _z10-01-12 |
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999 |
_c19002 _d19002 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |