000 | 03558cam a2200469 i 4500 | ||
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001 | ocm30438713 | ||
003 | OCoLC | ||
005 | 20240726100327.0 | ||
008 | 940426r19941973ilua b 001 0 eng | ||
010 | _a94016587 | ||
020 | _a9780891077992 | ||
020 | _a9780851111421 | ||
029 | 1 |
_aAU@ _b000010942505 |
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029 | 1 |
_aGBVCP _b152879250 |
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029 | 1 |
_aNLGGC _b183817486 |
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029 | 1 |
_aNZ1 _b3212568 |
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029 | 1 |
_aUNITY _b029004721 |
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035 | _a(OCoLC)30438713 | ||
040 |
_aDLC _beng _erda _cDLC _dJED _dBAKER _dNLGGC _dBTCTA _dYDXCP _dBDX _dGBVCP _dOCLCO _dACD _dOCLCF _dOCLCQ _dOCL _dGYG |
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049 | _aSBI | ||
050 | 0 | 4 | _aN6490.R777.M634 1994 |
050 | 0 | 4 | _aN6490 |
100 | 1 |
_aRookmaaker, H. R. _q(Hendrik Roelof), _d1922-1977, _e1 |
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245 | 1 | 0 |
_aModern art and the death of a culture / _cH.R. Rookmaaker. _hPR |
260 |
_aWheaton, Illinois : _bCrossway Books ; _c(c)1994. |
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260 |
_aLeicester, England : _bApollos, _c(c)1994. |
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300 |
_a256 pages : _billustrations ; _c22 cm |
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336 |
_atext _btxt _2rdacontent |
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_aunmediated _bn _2rdamedia |
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_avolume _bnc _2rdacarrier |
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386 |
_mGender group: _ngdr _aMen _2lcdgt |
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_mNationality/regional group: _nnat _aDutch _2lcdgt |
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_mOccupational/field of activity group: _nocc _aUniversity and college faculty members _2lcdgt |
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505 | 0 | 0 |
_tThe message in the medium : The icon; -- _tBeyond history; -- _tPainting is more than art alone; -- _tTwo landscapes; -- _tTwo world views -- _tThe roots of contemporary culture : Christianity and culture; -- _tGnosticism and mysticism; -- _tA dulaism of nature and grace; -- _tThe Reformation attitude; -- _tBefore the Enlightenment; -- _tScience; -- _tThe age of reason; -- _tMan in the box -- _tThe first step to modern art : Nothing but the facts; -- _tLandscape and reality; -- _tThe death of themes; -- _tNaturalistic reality; -- _tAnother initial step to modern art; -- _tIdealized escapism; -- _tChristian art?; -- _tThe new naturalism and the bourgeois attitude; -- _tReactions to realism -- _tThe second step to modern art : On from impressionism; -- _tThe quest for reality; -- _tThe quest for a synthesis; -- _tA mystic-romantic reaction -- _tThe last steps to modern art : Expressionism; -- _tDevelopments in Germany; -- _tAbstraction; -- _tCubism; -- _tThe quest for absolutes; -- _tThe decisive step; -- _tFour reactions -- _tInto the new era : A new art for new needs; -- _tA new art with a new message; -- _tThe irrationality of the rational; -- _tThe surrealist protest; -- _tSurreality and Christian reality; -- _tThe real and the horrible; -- _tA different twentieth-century response -- _tModern art and the twentieth century revolt : Abstract expressionism; -- _tThe skeleton of Achilles; -- _tTwo British artists; -- _tPop and op; -- _tHappenings and hippie; -- _tJazz, blues and beat -- _tProtest, revolution and the Christian response : The search for humanity; -- _tPlastic people; -- _tBeyond the material; -- _tDrugs and religion; -- _tWhat is normal?; -- _tThe tragic protest; -- _tThe permissive society; -- _tApocalypse; -- _tToward a renewal of the church -- _tFaith and art : Christianity in art; -- _tThe role of art; -- _tQuestions of aesthetics and morals; -- _tNorms and structures in art; -- _tThe Christian artist; -- _tThe Christian in a changing world. |
530 | _a2 | ||
650 | 0 |
_aArt, Modern _y20th century _xHistory. |
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650 | 0 |
_aArt _xPhilosophy. |
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650 | 0 | _aArt and society. | |
653 | 0 |
_aGeschichte _a1900-1970 |
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942 |
_cBK _hN _m1994 _e1 _i2020-06-12 _k24.00 |
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948 | _hHELD BY SBI - 135 OTHER HOLDINGS | ||
999 |
_c16361 _d16361 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |