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001 ocm47100667
003 OCoLC
005 20240726100310.0
008 010529s2002 nyu b 000 1 eng
010 _a2001038120
020 _a9781931082068
035 _a(OCoLC)47100667
035 _a(OCoLC)47100667
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043 _an-us---
049 _aSBIM
050 0 4 _aPS1292.S688.S767 2002
050 0 4 _aPS1292
100 1 _aChesnutt, Charles W.
_q(Charles Waddell),
_d1858-1932.,
_e1
240 1 0 _aSelections.
_f2002
245 1 0 _aStories, novels & essays:
_bThe conjure woman ; The wife of his youth and other stories of the color line ; The house behind the cedars ; The marrow of tradition ; Uncollected stories ; Selected essays /
_cCharles W. Chesnutt.
_hPR
246 3 _aStories, novels, and essays
260 _aNew York:
_bLiterary Classics of the United States:
_c(c)2002.
260 _bDistributed by Penguin Books,
_c(c)2002.
300 _ax, 939 pages ;
_c21 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aThe Library of America series ;
_v131
500 _aEdited by Werner Sollors.
504 _a1 (pages 929-939).
505 0 0 _tThe goophered grapevine --
_tPo' Sandy --
_tMars Jeems's nightmare --
_tThe conjurer's revenge --
_tSis' Becky's pickaninny --
_tThe gray wolf's ha'nt --
_tHot-foot Hannibal.
505 0 0 _tThe wife of his youth --
_tHer Virginia mammy --
_tThe sheriff's children --
_tA matter of principle --
_tCicely's dream --
_tThe passing of Grandison --
_tUncle Wellington's wives --
_tThe bouquet --
_tThe web of circumstance.
505 0 0 _tThe house behind the cedars.
505 0 0 _tThe marrow of tradition.
505 0 0 _tDave's neckliss --
_tA deep sleeper --
_tLonesome Ben --
_tThe dumb witness --
_tThe march of progress --
_tBaxter's Procrustes --
_tThe doll --
_tWhite weeds --
_tThe kiss.
505 0 0 _tWhat is a white man? --
_tThe future American --
_tSuperstitions and folk-lore of the South --
_tCharles W. Chesnutt's own view of his new story, The marrow of tradition --
_tThe disfranchisement of the Negro --
_tThe courts and the Negro --
_tPost-bellum--Pre-Harlem.
520 0 _aPublisher description: Charles W. Chesnutt broke new ground in American literature with searching explorations of the meaning of race and innovative use of African American speech and folklore. Rejecting genteel Victorian hypocrisy about miscegenation, lynching, and "passing," Chesnutt exposed the deformed logic of Jim Crow with novels and stories of formal clarity-creating, in the process, the modern African American novel. The Conjure Woman (1899) introduced Chesnutt to the public as a writer of "conjure" tales, stories that explore black folklore and supernaturalism. That same year, he published The Wife of His Youth, and Other Stories of the Color Line, stories set in Chesnutt's native North Carolina that dramatize the legacies of slavery and Reconstruction at the turn of the century. His first novel, The House Behind the Cedars (1900) tells, as no previous novel ever had, of racial passing. The Marrow of Tradition (1901), Chesnutt's masterpiece, is a powerful and bitter novel about the harsh reassertion of white dominance in a southern town at the end of the Reconstruction era, based largely on the Wilmington race riot. Nine uncollected short stories, including conjure tales omitted from The Conjure Woman, round out a selection of the author's fiction. Eight essays highlight Chesnutt's prescient views on the paradoxes of race relations in America and the definition of race itself.
530 _a2
650 0 _aAfrican Americans
_vFiction.
700 1 _aSollors, Werner.
740 4 2 _aThe conjure woman.
740 4 2 _aThe wife of his youth and other stories of the color line.
740 4 2 _aThe house behind the cedars.
740 4 2 _aThe marrow of tradition.
740 0 2 _aUncollected stories.
740 0 2 _aSelected essays.
830 4 _aThe Library of America series ;
_v131.
830 0 _aLibrary of America ;
_v131.
856 4 2 _zContributor biographical information
_uhttp://catdir.loc.gov/catdir/enhancements/fy0721/2001038120-b.html
856 4 2 _zPublisher description
_uhttp://catdir.loc.gov/catdir/enhancements/fy0721/2001038120-d.html
907 _a.b11026893
_b10-02-12
_c01-22-08
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_bCynthia Snell
_c1
_dCynthia Snell