000			03506cam a22004454i 4500
001			ocm45166705
003			OCoLC
005			20240726100305.0
008			001004s2002 enka b 001 0 eng
010			_a00050366
015			_aGBA2-30835
020			_a9780521623711
020			_a9780521686983
035			_a(OCoLC)45166705
039	0	2	_aCI ocm45166705
040			_aDLC _beng _erda _cDLC _dC#P _dZGM _dUKM _dCKK _dJYJ _dOCLCQ _dOCL _dIUL _dBAKER _dBTCTA _dYDXCP _dLVB _dSBI
042			_apcc
049	0	2	_aSBIM
050	0	4	_aML3800.C554.C363 2002
050	0	4	_aML3800
245	0	4	_aThe Cambridge history of Western music theory / _cedited by Thomas Christensen. _hPR
260			_aCambridge ; _aNew York : _bCambridge University Press, _c(c)2002.
300			_axxiii, 998 pages : _billustrations ; _c24 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
440		4	_aThe Cambridge history of music _996599
504			_a1 and indexes.
505	0	0	_tMapping the terrain _rLeslie Blasius -- _tMusica practica : music theory as pedagogy _rRobert W. Wason -- _tEpistemologies of music theory _rNicholas Cook -- _tGreek music theory _rThomas J. Mathiesen -- _tThe transmission of ancient music theory into the Middle Ages _rCalvin M. Bower -- _tMedieval canonics _rJan Herlinger -- _tTuning and temperament _rRudolf Rasch -- _tThe role of harmonics in the scientific revolution _rPenelope Gouk -- _tFrom acoustics to Tonpsychologie _rBurdette Green, _rDavid Butler -- _tMusic theory and mathematics _rCatherine Nolan -- _tNotes, scales and modes in the earlier Middle Ages _rDavid E. Cohen -- _tRenaissance modal theory : theoretical, compositional and editorial perspectives _rCristle Collins Judd -- _tTonal organization in seventeenth-century music theory _rGregory Barnett -- _tDualist tonal space and transformation in nineteenth-century musical thought _rHenry Klumpenhouwer -- _tOrganum, discantus, contrapunctus in the Middle Ages _rSarah Fuller -- _tCounterpoint pedagogy in the Renaissance _rPeter Schubert -- _tPerformance theory _rAlbert Cohen -- _tSteps to Parnassus : contrapuntal theory in 1725 precursors and successors _rIan Bent -- _tTwelve-tone theory _rJohn Covach -- _tThe evolution of rhythmic notation _rAnna Maria Busse Berger -- _tTheories of musical rhythm in the eighteenth and nineteenth centuries _rWilliam E. Caplin -- _tRhythm in twentieth-century theory _rJustin London -- _tTonality _rBrian Hyer -- _tRameau and eighteenth-century harmonic theory _rJoel Lester -- _tNineteenth-century harmonic theory : the Austro-German legacy _rDavid W. Bernstein -- _tHeinrich Schenker _rWilliam Drabkin -- _tMusic and rhetoric _rPatrick McCreless -- _tForm _rScott Burnham -- _tThematic and motivic analysis _rJonathan Dunsby -- _tEnergetics _rLee Rothfarb -- _tThe psychology of music _rRobert Gjerdingen.
530			_a2
650		0	_aMusic theory _xTheory _xHistory.
700	1		_aChristensen, Thomas Street.
856	4	2	_zPublisher description _uhttp://www.loc.gov/catdir/description/cam021/00050366.html
856	4	1	_zTable of contents _uhttp://www.loc.gov/catdir/toc/cam024/00050366.html
907			_a.b11014477 _b09-04-13 _c01-22-08
942			_cBK _hML _m2002 _e _i2018-07-14 _k0.00
998			_acim _ang _b05-27-09 _cm _da _e- _feng _genk _h0
994			_a02 _bSBI
945			_g1 _i31923001116926 _j2 _lcimc _n"repair" status after fire _o- _p0.00 _q- _r- _s- -- _t61 _u1 _v0 _w1 _x0 _y.i11460921 _z01-22-08
999			_c15048 _d15048
902			_a1 _bCynthia Snell _c1 _dCynthia Snell