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001 | ocm55518017 | ||
003 | OCoLC | ||
005 | 20240726100301.0 | ||
008 | 040526s2004 nyua bk 001 0 eng | ||
010 | _a2004012677 | ||
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050 | 0 | 4 | _aML3187.D216.P467 2004 |
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100 | 1 |
_aDarden, Bob, _d1954-, _e1 |
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245 | 1 | 0 |
_aPeople get ready! : _ba new history of Black gospel music / _cRobert Darden. _hPR |
260 |
_aNew York : _bContinuum, _c(c)2004. |
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300 |
_axii, 424 pages : _billustrations ; _c24 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes discography (pages 325-351), bibliographical references, and index. | ||
505 | 0 | 0 |
_aWhy gospel music? -- _tGospel's African roots -- _tThe rise of spirituals in North America -- _tWhat spirituals are, what spirituals mean -- _tThe American Civil War -- _tReconstruction, the jubilee singers, and minstrelsy -- _tThe foundations of gospel: the Black exodus, barbershop quartets, the Pentecostals, and jack-leg preachers -- _tThe fathers of gospel: William H. Sherwood, Charles A. Tindley, and Thomas A. Dorsey -- _tChicago and the rise of gospel music -- _tThree divas: Rosetta Tharpe, Clara Ward, and Mahalia Jackson -- _tThe great gospel groups: six unforgettable voices -- _tGospel on the freedom highway -- _tGospel's evolution: from Alex Bradford to James Cleveland to Andrae Crouch -- _tThe last great male quartets -- _tContemporary gospel: six defining voices. |
530 | _a2 | ||
650 | 0 |
_aGospel music _xHistory and criticism. |
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856 | 4 | 1 |
_zTable of contents _uhttp://www.loc.gov/catdir/toc/ecip0418/2004012677.html |
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_a.b11075041 _b02-06-12 _c01-22-08 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |