000 | 01990cam a22003371i 4500 | ||
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001 | ocm00612047 | ||
003 | OCoLC | ||
005 | 20240726100240.0 | ||
008 | 720427s1962 nju 000 0 eng | ||
010 | _a62009290 | ||
039 | 0 | 2 | _aCI ocm00612047 |
040 |
_aDLC _beng _erda _cDLC _dOCL _dOCLCQ _dBUF _dOCLCQ _dDIBAM _dOCLCQ _dBAKER _dSBI |
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049 | 0 | 2 | _aSBIM |
050 | 0 | 4 | _aPS3509.K36.T745 1962 |
100 | 1 |
_aKenner, Hugh, _e1 |
|
245 | 1 | 0 |
_aT.S. Eliot; _ba collection of critical essays. _hPR |
260 |
_aEnglewood Cliffs, New Jersey, _bPrentice-Hall _c(c)1962. |
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300 |
_a210 pages _c21 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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440 | 2 |
_aA Spectrum book: Twentieth century views _989112 |
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505 | 0 | 0 |
_tTo meet Mr. Eliot _rArthur Mizener -- _tEarly London environment _rWyndham Lewis -- _tBradley _rHugh Kenner -- _tIrregular metaphysics _rR.P. Blackmur -- _tLewis Carroll and t. S. Eliot as nonsense poets _rElizabeth Sewell -- _tEliot and Tennyson _rS. Musgrove -- _t"Marie, Marie, hold on tight" _rGeorge L.K. Morris -- _tThe waste land _rF.R. Leavis -- _tt. S. Eliot, 1925-1935 _rD.W. Harding -- _tt. S. Eliot's later poetry _rF.R. Leavis -- _t"Little Gidding" _rD.W. Harding -- _tOn Ash-Wednesday _rAllen Tate -- _tIn the hope of straightening things out _rR.P. Blackmur -- _tMr. Eliot's solid merit _rEzra Pound -- _tThe style of the master _rWilliam Empson -- _tMurder in the cathedral _rJohn Peter -- _tThe cocktail party _rDenis Donoghue -- _tFor other voices _rHugh Kenner -- _tt. S. Eliot: the end of an era _rDonald Davie. |
530 | _a2 | ||
600 | 1 | 0 |
_aEliot, T. S. _q(Thomas Stearns), _d1888-1965. |
907 |
_a.b10109833 _b05-25-09 _c01-22-08 |
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942 |
_cBK _hPS _m1962 _e _i2018-07-14 _k0.00 |
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998 |
_acim _b05-25-09 _cm _da _e- _feng _gnju _h0 |
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994 |
_a02 _bSBI |
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945 |
_g1 _i31923001686142 _j2 _lcimc _o- _p0.00 _q- _r- _s- -- _t61 _u0 _v0 _w0 _x0 _y.i17485666 _z02-08-08 |
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999 |
_c13570 _d13570 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |