000 | 01832cgm a2200409Ii 4500 | ||
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001 | ocm51560665 | ||
003 | OCoLC | ||
005 | 20240725162301.0 | ||
008 | 030201s2002 nju027 vleng d | ||
028 | 4 | 0 |
_aFFH 30812 _bFilms for the Humanities & Sciences |
039 | 0 | 2 | _aCI ocm51560665 |
040 |
_aVTC _beng _erda _cVTC _dOCLCQ _dSBI |
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049 | 0 | 2 | _aSBIY |
050 | 0 | 4 | _aTR183.F487.L364 2002 |
050 | 0 | 4 | _aTR183 |
245 | 0 | 0 |
_aLanguage of photography / _cA production of SMCCCD ; executive producer, Dante Bettero ; producer/director, Kaveh Nikpour, Sheila Cadigan, Eric Mueller. _hPR |
246 | 1 | 3 | _aTitle on container and disc surface : Truth or fiction? Photography and ethics |
260 |
_aPrinceton, New Jersey : _bFilms for the Humanities and Sciences, _c(c)2004. |
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300 |
_a1 videodisc (27 min.) : _bsound, color ; _c4 3/4 in. |
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336 |
_atwo-dimensional moving image _btdi _2rdacontent |
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337 |
_avideo _bv _2rdamedia |
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338 |
_avideodisc _bvd _2rdacarrier |
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344 |
_adigital _bvideo _gstereo _2rda |
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345 | _avideodisc | ||
346 | _aDVD | ||
347 |
_avideo file _bDVD _2rda |
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500 | _aTitle from disc surface. | ||
520 | 0 | _aThe program uses case studies involving Iwo Jima, Elian Gonzalez, and O.J. Simpson to show how images can be manipulated to influence the way viewers perceive events. Covers the ethics of photography and the positive and negative impacts of digital technology. | |
530 | _a2 | ||
650 | 0 |
_aMass media _xMoral and ethical aspects. |
|
650 | 0 | _aPhotography. | |
907 |
_a.b11050905 _b10-10-11 _c01-22-08 |
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942 |
_cDVD _hTR _m2004 _e _i2018-07-15 _k0.00 |
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998 |
_acimm _b05-27-09 _cm _dg _e- _feng _gnju _h0 |
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994 |
_a01 _bSBI |
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945 |
_g1 _i31923001421888 _j2 _lcimm _npl _o- _p0.00 _q- _r- _s- -- _t63 _u2 _v0 _w2 _x0 _y.i11517360 _z01-22-08 |
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999 |
_c110 _d110 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |