000 | 03180cam a2200493 i 4500 | ||
---|---|---|---|
001 | ocm49698879 | ||
003 | OCoLC | ||
005 | 20240726110903.0 | ||
008 | 020424s2003 pau b 001 0 eng | ||
010 | _a2002006352 | ||
020 | _a9780791063323 | ||
029 | 1 |
_aAU@ _b000023518815 |
|
029 | 1 |
_aDEBBG _bBV014486229 |
|
029 | 1 |
_aDEBSZ _b111549310 |
|
029 | 1 |
_aHEBIS _b113777299 |
|
029 | 1 |
_aIG# _b9780791063323 |
|
029 | 1 |
_aYDXCP _b1755201 |
|
029 | 1 |
_aZWZ _b069903301 |
|
035 | _a(OCoLC)49698879 | ||
040 |
_aDLC _beng _erda _cDLC _dSYB _dXY4 _dOCL _dBAKER _dBTCTA _dYDXCP _dIG# _dOQP _dZWZ _dHEBIS _dDEBBG _dOCLCQ _dOCLCF _dDEBSZ _dOCLCQ _dOCLCO _dOCL _dNHA _dOCLCO _dI8M _dOCLCQ _dMWB _dOCLCO _dDHA _dOCLCA _dVBO _dOCLCQ _dCSJ _dOCLCQ _dSEO _dOCLCA _dSBI |
||
043 | _an-us--- | ||
049 | _aSBIM | ||
050 | 0 | 0 | _aPS310.B655.A375 2003 |
050 | 0 | 4 | _aPS310 |
245 | 0 | 0 |
_aAfrican-American poets : _bPhillis Wheatley through Melvin B. Tolson / _cedited and with an introduction by Harold Bloom. _hPR |
260 |
_aPhiladelphia : _bChelsea House Publishers, _c(c)2003. |
||
300 |
_avii, 335 pages ; _c25 cm. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
490 | 1 | _aModern critical views | |
504 | _a1 (pages 305-310) and index. | ||
505 | 0 | 0 |
_rHarold Bloom -- _tPreacherly text: African American poetry and vernacular performance / _rMarcellus Blount -- _tD.H. Lawrence and black writers / _rLeo Hamalian -- _tIntroduction to the poems of Phillis Wheatley / _rJulian D. Mason, Jr.-- Slave's subtle war: Phillis Wheatley's use of biblical myth and symbol / _rSondra O'Neale -- _t"Let me make the songs for the people": a study of Frances Watkins Harper's poetry / _rPatricia Liggins Hill -- _tPaul Dunbar and the mask of dialect / _rJohn Keeling -- _tPaul Laurence Dunbar: master player in a fixed game / _rRalph Story -- _tWeapon of my song: the poetry of James Weldon Johnson / _rRichard A. Long -- _tClaude McKay's romanticism / _rGeta J. LeSeur -- _tWhitman legacy and the Harlem Renaissance / _rGeorge B. Hutchinson -- _tNew Negro poet and the Nachal man: Sterling Brown's folk odyssey / _rJohn S. Wright -- _tJazz, realism, and the modernist lyric: the poetry of Langston Hughes / _rAnita Patterson -- _t"Singing man who must be reckoned with": private desire and public responsibility in the poetry of Counte Cullen / _rPeter Powers -- _tDual reality: echoes of Blake's tiger in Cullen's heritage / _rRonald E. Sheasby -- _tEvolution of style in the poetry of Melvin B. Tolson / _rMariann B. Russell -- _tHamlet rives us: the sonnets of Melvin B. Tolson / _rGary Smith. |
520 | 0 | _a"Examines the early history of African-American poetry and its place in the American literary consciousness"--Page {4. of cover. | |
530 | _a2 | ||
530 |
_a2 _ub |
||
650 | 0 |
_aAmerican poetry _xAfrican American authors _xHistory and criticism. |
|
650 | 0 |
_aAfrican Americans _xIntellectual life. |
|
700 | 1 | _aBloom, Harold, | |
700 | 1 | _5 | |
830 | 0 | _aModern critical views. | |
942 |
_cBK _hPS _m2003 _O111-7413093-9275431 _nGENL _RDr. Sandra Young _eAMAZON _i2021-05-31 _k29.99 _2lcc _w50.00 |
||
999 |
_c102490 _d102490 |
||
902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |