000 | 03243cam a2200481 i 4500 | ||
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001 | on1033575796 | ||
003 | OCoLC | ||
005 | 20240726110901.0 | ||
008 | 180417t20182018nju b 001 0 eng | ||
010 | _a2018018011 | ||
020 | _a9781463207113 | ||
029 | 1 |
_aCHVBK _b526171170 |
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029 | 1 |
_aCHBIS _b011188341 |
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029 | 1 |
_aCHVBK _b519791495 |
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029 | 1 |
_aCHDSB _b006816180 |
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029 | 1 |
_aAU@ _b000062226068 |
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035 | _a(OCoLC)1033575796 | ||
040 |
_aDLC _beng _erda _cDLC _dOCLCO _dYDX _dOCLCF _dYDX _dOCLCO _dICU _dYUS _dSBI |
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042 | _apcc | ||
049 | _aSBIM | ||
050 | 0 | 4 | _aBS2825.N333.C667 2018 |
050 | 0 | 4 | _aBS2825 |
100 | 1 |
_aNaylor, Michael P., _e1 |
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245 | 1 | 0 |
_aComplexity and creativity : _bJohn's presentation of Jesus in the book of Revelation / _cMichael P. Naylor. _hPR |
246 | 3 | 0 | _aJohn's presentation of Jesus in the Book of Revelation |
260 |
_aPiscataway : _bGorgias Press, _c(c)2018. |
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300 |
_aix, 349 pages ; _c24 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 0 |
_aGorgias biblical studies, _x1935-6870 ; _v69 |
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_aCHAPTER ONE: INTRODUCTION : -- _tPrevious study of the depiction of Jesus in Revelation -- _tOrientation and structure of present study |
505 | 0 | 0 |
_aCHAPTER TWO: JOHN, JESUS AND THE ROMAN IMPERIAL CULT : -- _tPreliminary consideration : the Roman imperial cult and Revelation -- _tRoman emperor worship -- _tThe Roman imperial cult and Jesus in Revalation |
505 | 0 | 0 |
_aCHAPTER THREE: JOHN, JESUS, AND THE OLD TESTAMENT : -- _tMajor images and themes -- _tMinor images and titles -- _tSummary and evaluation |
505 | 0 | 0 |
_aCHAPTER FOUR: JOHN, JESUS, AND THE CONTEXT OF EARLY CHRISTIANITY : -- _tJohn and his churches -- _tReligious worldview -- _tThe presentation of Jesus -- _tSummary |
505 | 0 | 0 |
_aCHAPTER FIVE: JOHN'S PRESENTATION OF JESUS : -- _tThe complexity of imagery -- _tProminent depictions of Jesus in Revelation -- _tConclusion |
505 | 0 | 0 | _aCHAPTER SIX: CONCLUSION. |
520 | 0 |
_aWithin the book of Revelation, John provides a unique and fascinating portrait of Jesus. This monograph examines John s interaction with imagery from his cultural context (Roman emperor worship), from the key writings of his apparent religious heritage (the Old Testament), and from convictions shared within the wider early Christian community. In the sections devoted to each of these three sources (Roman emperor worship, the Old Testament writings, and early Christianity), Naylor provides an assessment of the way that John utilizes images, phrases, and motifs from each in his depiction of Jesus. The interaction with this material represents, Naylor argues, not a haphazard conglomeration of material from divergent sources, but rather a complex, well-developed set of religious convictions concerning Jesus, creatively expressed in this early Christian writing. _uhttps://www.amazon.com/gp/product/1463207115/ref=ppx_yo_dt_b_asin_title_o00_s00?ie=UTF8&psc=1 |
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_aBible. _pRevelation _xCriticism, interpretation, etc. |
942 |
_cBK _hBS _m2018 _eAmazon _i2021-04-19 _k172.00 _2lcc _O113-6954374-9668248 _nCBSL _w172.00 |
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_c102359 _d102359 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |