000 | 02733cam a2200349Mi 4500 | ||
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001 | ocn826855608 | ||
003 | OCoLC | ||
005 | 20240726105459.0 | ||
008 | 130205s2012 onc ob 001 0 eng d | ||
040 |
_aYDXCP _beng _epn _erda _cYDXCP _dOCLCO _dCELBN _dOCLCA _dOSU _dOCLCO _dOCLCA _dE7B _dJSTOR _dNT _dOCLCF _dOCLCO _dNLGGC _dOCLCQ _dEBLCP _dOCLCO _dOCL _dOCLCQ _dOCLCO _dOCLCQ _dAGLDB _dMERUC _dOCLCQ _dOCLCO _dOCLCA _dEZ9 _dVTS _dCEF _dINT _dREC _dOCLCQ _dOCLCO _dYOU _dAU@ _dM8D _dOCLCQ _dOCLCO |
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020 |
_a9781442696747 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aPR2717 _b.M533 2012 |
049 | _aMAIN | ||
100 | 1 |
_aNicol, David, _d1975- _e1 |
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245 | 1 | 0 |
_aMiddleton and Rowley : _bforms of collaboration in the Jacobean playhouse / _cDavid Nicol. |
246 | 1 | 4 | _aMiddleton & Rowley |
260 |
_aToronto ; _aBuffalo : _bUniversity of Toronto Press, _c(c)2012. |
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300 | _a1 online resource (xii, 216 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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504 | _a2 | ||
505 | 0 | 0 |
_aMiddleton and Rowley : writing about collaborative drama -- _tCollaborators and individual style : choice and religion in The changeling -- _tThe actor as collaborator : Wit at several weapons and the incorporation of personae -- _tCollaborators and playing companies : class and genre in A fair quarrel -- _tA presence in the crowd : multiple authorship and the individual voice in The Spanish gypsy and The old law. |
520 | 0 | _a"Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work. This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collaborative relationships that factor into a play's meaning, including playwrights, actors, companies, playhouses, and patrons. This kaleidoscopic approach, which views the plays from all these perspectives, throws new light on the Middleton-Rowley oeuvre and on early modern dramatic collaboration as a whole."--Pub. desc. | |
530 |
_a2 _ub |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682859&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPR _m(c)2012 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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_c101672 _d101672 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |