000 02908cam a2200385Ki 4500
001 ocn875279580
003 OCoLC
005 20240726105458.0
008 140401s2010 onc obq 001 0deng d
040 _aNT
_beng
_erda
_epn
_cNT
_dOCLCF
_dE7B
_dYDXCP
_dGPRCL
_dCELBN
_dJSTOR
_dNLGGC
_dDEBBG
_dEBLCP
_dAGLDB
_dOCLCQ
_dHEBIS
_dDEGRU
016 _z20099062925 (print)
020 _a9781442698543
_q((electronic)l(electronic)ctronic)
020 _a9781442698550
_q((electronic)l(electronic)ctronic)
050 0 4 _aPN1998
_b.M373 2010
049 _aMAIN
100 1 _aBrook, Clodagh J.,
_e1
245 1 0 _aMarco Bellocchio :
_bthe cinematic I in the political sphere /
_cClodagh J. Brook.
260 _aToronto ;
_aBuffalo :
_bUniversity of Toronto Press,
_c(c)2009.
300 _a1 online resource (x, 226 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aToronto Italian studies
504 _aFilmography: pages 203-204.
505 0 0 _aAuteur and autobiography. Constructing an auteur ; Bobbio and My mother's smile : autobiography in Bellocchio's cinema --
_tBellocchio's political cinema in the sixties and seventies. The problems of Impegno in the era of postmodernism ; The nature of Bellocchio's Impegno ; The militant documentaries, Nel nome del padre, and Marcia trionfale : contestation, Impegno, and collectivity --
_tThe dreaming "I" : inferiority and Massimo Fagioli's model of the unconscious. Massimo Fagioli and group therapy ; Massimo Fagioli's model of the unconscious ; Screening the "I" : styles of inferiority ; Conclusion --
_tBellocchio's political cinema from the eighties to the present. Italian terrorism : Buongiorno, notte ; Vincere : the stripped self ; Conclusion --
_tThe rebel "I" : patriarchy and parents. The woman as rebel : politics and patriarchy ; Rebellion in the name of the father and the family : I pugni in tasca, Il Principe di Homburg, and L'orda di religione ; Conclusion --
_tTradition and its discontents. Adaptations and citations : Pirandello, Manzoni, and the overturning of the father-text ; Conclusion : private cinema in a public sphere.
520 0 _aIncludes work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis.
530 _a2
_ub
600 1 0 _aBellocchio, Marco,
_d1939-
_xCriticism and interpretation.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682796&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPN..
_m2009
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c101618
_d101618
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell