000			03936cam a2200493Ii 4500
001			ocn705263685
003			OCoLC
005			20240726105458.0
008			110302t20092009oncab ob 001 0 eng d
010			_a2010291989
040			_aYDXCP _beng _epn _erda _cYDXCP _dGPRCL _dIUL _dOCLCQ _dCELBN _dE7B _dOCLCQ _dJSTOR _dOCLCE _dNT _dOCLCQ _dEBLCP _dDEBBG _dOCLCQ _dAGLDB _dOCLCO _dOCLCQ _dIOG _dSTF _dOCLCF _dEZ9 _dVTS _dCOCUF _dLOA _dVT2 _dOCLCQ _dUWO _dYOU _dM8D _dMERUC _dZCU _dICG _dTKN _dDKC _dAU@ _dUX1 _dOCLCQ _dUWK _dCNNOR _dUKCRE _dK6U _dGCL _dOCLCO
016			_a20099004402
016			_z20099004402 (print)
020			_a9781442697607 _q((electronic)l(electronic)ctronic)
020			_a9781487523411
042			_adlr
043			_aee-----
050	0	4	_aN8120 _b.L378 2009
049			_aMAIN
100	1		_aHimka, John-Paul, _d1949- _e1
245	1	0	_aLast Judgment iconography in the Carpathians /John-Paul Himka.
260			_aToronto : _bUniversity of Toronto Press, _c(c)2009.
300			_a1 online resource (xxii, 301 pages) : _billustrations, maps
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction -- _tOrigins -- _tFurther elaboration -- _tDisintegration -- _tConclusions -- _tAppendix 1 : Place names in different languages -- _tAppendix 2 : Ephraim the Syrian's Sermon on the second coming of our Lord Jesus Christ : summary -- _tAppendix 3 : The life of St. Basil tthe New : summary -- _tAppendix 4 : Early modern Ukrainian sermons on the Last Judgment.
530			_a2 _ub
538			_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL
583	1		_adigitized _c2010 _hHathiTrust Digital Library _lcommitted to preserve _2pda _5MiAaHDL
520	0		_a"Few subjects in Christianity have inspired artists as much as the Last Judgment. Last Judgment Iconography in the Carpathians examines over 100 images of the Last Judgment, with an emphasis on those from the fifteenth century to the eighteenth century, in the Carpathian mountain region of Ukraine, Poland, Slovakia, and Romania. John-Paul Himka's analysis of these monumental works of art allows him to consider history free from the traditional frameworks and narratives of nations. For nine years, Himka studied Last-Judgment images throughout the Carpathians and found a distinctive and transnational blending of Gothic, Byzantine, and Novgorodian art in the region." "Piecing together the story of how these images were produced and how they developed, Himka traces their origins on linden boards and their evolution on canvas and church walls. Originally painted by monks, these images increased in popularity and eventually came to be commissioned and even painted by peasants and shepherds whose tastes so shocked bishops that they ordered the destruction of depictions of sexual themes and grotesque forms of torture. A richly illustrated and detailed account of history through a style of art, Last Judgment Iconography in the Carpathians will find a receptive audience with art historians, religious scholars, and Slavists."--Jacket.
650		0	_aJudgment Day in art.
650		0	_aApocalypse in art.
650		0	_aIcons _zCarpathian Mountains Region _xHistory.
650		0	_aChristianity and art _xOrthodox Eastern Church.
650		0	_aEnd of the world in art.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682759&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hN _m2009 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c101585 _d101585
902			_a1 _bCynthia Snell _c1 _dCynthia Snell